I represent the first generation who, when we were born, the television was now a permanent fixture in our homes. When I was born people had breakfast with Barbara Walters, dinner with Walter Cronkite, and slept with Johnny Carson.
Read the full "Pre-ramble"
Jim Rosin returns with a look back at the long-running Western series Wagon Train (NBC, 1957-1962; ABC, 1962-1965) starring Ward Bond, Robert Horton, John McIntire, Denny Miller and Robert Fuller. At a time when network TV schedules were filled to the brim with Westerns, Wagon Train left its mark on television in ways that are still felt today, providing viewers with interesting characters every week while serving as one of the inspirations for the original Star Trek. Wagon Train also boasted such top guest stars as Bette Davis, Barbara Stanwyck and Ernest Borgnine, as well as contributions from Academy Award-winning director John Ford and film icon John Wayne. We’ll talk about that, and a whole lot more, when Jim Rosin joins us in our second hour.
Jim Rosin will be appearing along with Shirley Jones, Sherry Jackson, Ron Ely, Robert Colbert, Jay North, James Darren and other authors and celebrities at the Mid Atlantic Nostalgia Convention, August 9-10-11 in Hunt Valley, Maryland.
Dan Farren will join Tony Figueroa and Donna Allen in our first hour for a brand new edition of This Week in TV History. Plus: a tribute to William Asher, Elizabeth Montgomery and the long-running comedy series Bewitched.
"...once you find the rhythm of the character, for me anyway...the words just fall right into place." Sherman Hemsley
Sherman Hemsley died today at the age of 74 at his home in El Paso, Texas, of natural causes.
Hemsley was born and raised in South Philadelphia by his mother, who was a factory worker. He dropped out of school and joined the United States Air Force, where he served for four years. On leaving the Air Force, he returned to Philadelphia where he worked for the Post Office during the day while attending acting school at night. He then moved to New York, continuing to work for the Post Office during the day while working as an actor at night. He starred as the character Gitlow in the early 1970s Broadway play Purlie.
Sherman Hemsley performed with local groups in Philadelphia before moving to New York to study with Lloyd Richards at the Negro Ensemble Company. Shortly after, he joined Vinnette Carroll's Urban Arts Company appearing in these productions: But Never Jam Today, The Lottery, Old Judge Mose is Dead, Moon On A Rainbow Shawl, Step Lively Boys, Croesus, and The Witch. He made his Broadway debut in Purlie and toured with the show for a year. In the summer of 1972 he joined the Vinnette Carroll musical Sorry, I Can't Cope ensemble in Toronto, followed a month later in the American Conservatory Theatre production at the Geary Theatre. This production had Hemsley in Act I performing the solo "Lookin' Over From Your Side" and in "Sermon" in Act II.
While Hemsley was on Broadway with Purlie, Norman Lear called him in 1971 to play the role of George Jefferson on his burgeoning new sitcom, All in the Family. Hemsley was reluctant to leave his theatre role, but Lear told him that he would hold the role open for him. Hemsley joined the cast two years later. The characters of Hemsley and co-star Isabel Sanford were secondary on All in the Family, but were given their own spin-off series, The Jeffersons, less than two years after Hemsley made his debut on the show. Such was Hemsley's and Sanford's compatibility and credibility as a married couple that no one seemed to notice or care that in real life Sanford was twenty years older than Hemsley. The Jeffersons proved to be one of Lear's most successful shows, enjoying a run of 11 seasons through 1985.
Though Hemsley was largely typecast as George Jefferson, he continued to work steadily after the show's cancellation. He teamed up with the show's original cast members when The Jeffersons moved to Broadway for a brief period.
Hemsley joined the cast of NBC's Amen in 1986 as Ernest Frye, an unscrupulous church deacon much like his George Jefferson character. The show enjoyed a run of five seasons, ending in 1991. Hemsley then was a voice actor in the ABC live-action puppet series Dinosaurs, where he played Bradley P. Richfield, main character Earl's sadistic boss. The show ran for five seasons, ending in 1994.
Hemsley largely retired from television acting, although he and Isabel Sanford appeared together in the late 1990s and in the early 2000s, reprising their roles in guest spots on television programs such as The Fresh Prince of Bel-Air, commercials for The Gap, Old Navy and Denny's, and dry cleaning conventions. He and Sanford also made a cameo appearance in the film Sprung. They continued to work together on occasion until Sanford began having health problems leading to her death in 2004.
As always, the further we go back in Hollywood history, the more that fact and legend become intertwined. It's hard to say where the truth really lies.
In 1954, Lear was enlisted as a writer hoping to salvage the new Celeste HolmCBSsitcom, Honestly, Celeste!, but the program was canceled after eight episodes. In 1959, Lear created his first television series starring Henry Fonda, a half-hour western for Revue Studios called The Deputy. Starting out as a comedy writer, then a film director (he wrote and produced the 1967 film Divorce American Style and directed the 1971 film Cold Turkey, both starring Dick Van Dyke), Lear tried to sell a concept for a sitcom about a blue-collar American family to ABC. They rejected the show after two pilots were filmed. After a third pilot was shot, CBS picked up the show, known as All in the Family. It premiered January 12, 1971 to disappointing ratings, but it took home several Emmy Awards that year, including Outstanding Comedy Series. The show did very well in summer reruns, and it flourished in the 1971-1972 season, becoming the top-rated show on TV for the next five years. After falling from the #1 spot, All in the Family still remained in the top ten, well after it transitioned into Archie Bunker's Place. The show was based on the British sitcom Til Death Us Do Part, about an irascible working-class Tory and his Socialist son-in-law.
What most of the Lear sitcoms had in common was that they were character-driven, had sets that more resembled stage plays than common sitcom sets, were shot on videotape in place of film, used a live studio audience, and most importantly dealt with the social and political issues of the day. Ironically, although Lear's shows are often considered somewhat autobiographical and closely identified with his personal experiences, his early hits were actually all adapted from someone else's creations: the two aforementioned British adaptations and Maude, while reputedly based on Lear's wife, was actually the brainchild of series producer Charlie Hauck.
Lear's longtime producing partner was Bud Yorkin, who served as executive producer of Sanford and Son, split with Lear in 1975. He started a production company with writer/producers Saul Turteltaub and Bernie Orenstein, but they had only two shows that ran more than a year: What's Happening!! and Carter Country. The Lear/Yorkin company was known as Tandem Productions. Lear and talent agent Jerry Perenchio founded T.A.T. Communications (T.A.T. stood for "Tuchus Affen Tisch", which is Yiddish for "Putting one's butt on the line") in 1975, which co-existed with Tandem Productions and was often referred to in periodicals as Tandem/T.A.T. The Lear organization was one of the most successful independent TV producers of the 1970s.
He also developed the cult favorite TV series Mary Hartman, Mary Hartman. Lear himself stepped down as production supervisor on his shows in 1978 to work on a film dealing with his concerns about the growing influence of radical right-wing evangelists. The film was never fully developed, but the process stimulated his long engagement in political activism.
In 1982, the company bought out Avco Embassy Pictures from Avco Financial Corporation, and the Avco part of its name was dropped. Embassy Pictures was led by (current Warner Bros. President) Alan Horn and Martin Schaeffer, later co-founders of Castle Rock Entertainment with Rob Reiner. In 1985, Lear sold all his film and television production holdings to Columbia Pictures (then owned by the Coca-Cola Company) which acquired Embassy's film and television division (which included Embassy's in-house television productions and the television rights to the Embassy theatrical library) for $485 million in shares of The Coca-Cola Company. Lear and his longtime partner Jerry Perenchio split the net proceeds (about $250 mm). Coke later sold the film division to Dino De Laurentiis and the home video arm to Nelson entertainment (led by Barry Spikings).
July 29, 1957
Jack Paar becomes host of The Tonight Show.
NBC returned the program to a talk/variety show format once again, with Jack Paar becoming the new solo host of the show. Under Paar, most of the NBC affiliates which had dropped the show during the ill-fated run of America After Dark began airing the show once again. Paar's era began the practice of branding the series after the host, and as such the program, though officially still called The Tonight Show, was marketed as The Jack Paar Show. A combo band conducted by Paar's Army buddy pianist Jose Melis filled commercial breaks and backed musical entertainers. [See music and announcers below.] Paar also introduced the idea of having guest hosts; one of these early hosts was Johnny Carson. In the late 1950s, it was one of the first regularly scheduled shows to be videotaped in color.
On February 11, 1960, Jack Paar walked off his show for a month after NBC censors edited out a segment, taped the night before, about a joke involving a "W.C." (water closet, a polite term for a flush toilet) being confused for a "wayside chapel." As he left his desk, he said, "I am leaving The Tonight Show. There must be a better way of making a living than this." Paar's abrupt departure left his startled announcer, Hugh Downs, to finish the broadcast himself.
Paar returned to the show on March 7, 1960, strolled on stage, struck a pose, and said, "As I was saying before I was interrupted..." After the audience erupted in applause, Paar continued, "When I walked off, I said there must be a better way of making a living. Well, I've looked... and there isn't."
To quote the Bicentennial Minute, "And that's the way it was".
Jim Rosin returns with a look back at the long-running Western series Wagon Train (NBC, 1957-1962; ABC, 1962-1965) starring Ward Bond, Robert Horton, John McIntire, Denny Miller and Robert Fuller. At a time when network TV schedules were filled to the brim with Westerns, Wagon Train left its mark on television in ways that are still felt today, providing viewers with interesting characters every week while serving as one of the inspirations for the original Star Trek. Wagon Train also boasted such top guest stars as Bette Davis, Barbara Stanwyck and Ernest Borgnine, as well as contributions from Academy Award-winning director John Ford and film icon John Wayne. We’ll talk about that, and a whole lot more, when Jim Rosin joins us in our second hour.
