This Week in Television History: August 2026 PART I

 

August 3, 1941

Martha Helen Stewart (née Kostyra) was born. 

Business magnate, television host, author and magazine publisher. As founder of Martha Stewart Living Omnimedia, she has gained success through a variety of business ventures, encompassing publishing, broadcasting, and merchandising. Stewart's syndicated talk show, Martha, is broadcast throughout the world, she has written numerous bestselling books, and she is the publisher of Martha Stewart Living magazine.

In 2001, Stewart was named the third most powerful woman in America by Ladies Home Journal. In 2004, she was convicted of lying to investigators about a stock sale and served five months in prison. Stewart began a strong comeback campaign in 2005, with her company returning to profitability in 2006.

August 5, 1956

Maureen Denise McCormick was born. 

Actress, reality show participant, and recording artist. She is best known as a child actor who played Marcia Brady in the television series The Brady Bunch from 1969 to 1974.

August 5, 1956

On August 5, 1957, TV's American Bandstand began broadcasting nationally 

Television, rock and roll and teenagers. In the late 1950s, when television and rock and roll were new and when the biggest generation in American history was just about to enter its teens, it took a bit of originality to see the potential power in this now-obvious combination. The man who saw that potential more clearly than any other was a 26-year-old native of upstate New York named Dick Clark, who transformed himself and a local Philadelphia television program into two of the most culturally significant forces of the early rock-and-roll era.

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The show that evolved into "American Bandstand" began on Philadelphia’s WFIL-TV in 1952, a few years before the popular ascension of rock and roll. Hosted by local radio personality Bob Horn, the original "Bandstand" "nevertheless established much of the basic format of its later incarnation. In the first year after Dick Clark took over as host in the summer of 1956, Bandstand remained a popular local hit, but it took Clark’s ambition to help it break out. When the ABC television network polled its affiliates in 1957 for suggestions to fill its 3:30 p.m. time slot, Clark pushed hard for Bandstand, which network executives picked up and scheduled for an August 5, 1957 premiere.

Renamed "American Bandstand," the newly national program featured a number of new elements that became part of its trademark, including the high school gym-like bleachers and the famous segment in which teenage studio guests rated the newest records on a scale from 25 to 98 and offered such criticisms as “It’s got a good beat, and you can dance to it.” But the heart of "American Bandstand" always remained the sound of the day’s most popular music combined with the sight of the show’s unpolished teen “regulars” dancing and showing off the latest fashions in clothing and hairstyles.

"American Bandstand" aired five days a week in live national broadcast until 1963, when the show moved west to Los Angeles and began a 24-year run as a taped weekly program with Dick Clark as host.

August 6, 1911

Lucille Ball was born. 

She became one of America's most beloved comic actresses, is born near Jamestown, New York. Her father, an electrician, died when Ball was two. By age 15, Ball had decided to attend drama school and become an actress. However, the shy, skinny teenager received little encouragement and was rejected at least four times from Broadway chorus lines before finally becoming a chorus girl in 1926. In 1933, she was hired as the Chesterfield cigarette girl and was featured in all the company's advertisements. Attracting attention with her Chesterfield ads, she finally began playing bit parts in Hollywood movies in 1933. By the late 1930s, the starlet had graduated to comic supporting roles. In 1940, she met Cuban bandleader Desi Arnaz while shooting Too Many Girls. The couple married the following year.

Ball continued to land movie roles that didn't fully showcase her talent. Frustrated, she turned to radio and starred as a ditzy wife in My Favorite Husband from 1948 to 1951. CBS decided to launch the popular series on the relatively new medium of TV. Lucy insisted Desi be cast as her husband in the TV version, though the network executives argued that no one would believe the couple were married. Desi and Lucy performed before live audiences and filmed a pilot, convincing network executives that audiences responded well to their act, and CBS cast Desi for the show.

I Love Lucy became one of the most popular TV situation comedies in history, ranking in the top three shows for six years and turning the couple's production company, Desilu, into a multimillion-dollar business. Ball became president of the company in 1960, after she and Desi divorced. She also starred in several other "Lucy" shows, including The Lucy Show, which debuted in 1962 and ran for six seasons, and Here's Lucy, in which she starred with her two children until the show was cancelled in 1974. A later show, Life with Lucy, featuring Lucy as a grandmother, was cancelled after only eight episodes. Ball worked little in the last years of her life. She died of congestive heart failure in 1989, at the age of 78.

August 8, 1956

The Dumont network made its final telecast. 

The DuMont Television Network was one of the world's pioneer commercial television networks, rivalling NBC and CBS for the distinction of being first overall in the USA. It began operation in the United States in 1946. It was owned byDuMont Laboratories, a television equipment and set manufacturer. The network was hindered by the prohibitive cost of broadcasting, by regulations imposed by the Federal Communications Commission (FCC) which restricted the company's growth, and even by the company's partner, Paramount Pictures. Despite several innovations in broadcasting and the creation of one of television's biggest stars of the 1950s (Jackie Gleason), the network never found itself on solid financial ground. Forced to expand on UHF channels during an era when UHF was not yet a standard feature on television sets, DuMont fought an uphill battle for program clearances outside of their three owned-and-operated stations in New York, Washington and Pittsburgh, finally ending network operations in 1956. DuMont's last broadcast, a boxing match, aired on August 6, 1956.

DuMont's latter-day obscurity, caused mainly by the destruction of its extensive program archive by the 1970s, has prompted TV historian David Weinstein to refer to it as the "Forgotten Network" or "Network Is Long Gone". A few popular DuMont programs, such as Cavalcade of Stars and Emmy Award winner Life Is Worth Living, appear in television retrospectives or are mentioned briefly in books about U.S. television history.

Stay Tuned

Tony Figueroa

This Week in Television History: July 2026 PART IV

August 1, 1971

The Sonny and Cher Comedy Hour debuts. 

The popular variety show, featuring music, comedy routines and sarcastic banter between vertically challenged Sonny and his statuesque wife, Cher.

Sonny and Cher had been singing and performing comedy in nightclubs for more than a decade. They released several hit records in the 1960s, most notably "I Got You, Babe," before launching their show. The series rated well and showcased future comedy stars, including Teri Garr and Steve Martin.

Despite the show's popularity, the couple suffered marital problems and announced in the spring of 1974 that they were divorcing and would cancel the show. After divorcing in 1975, both Sonny and Cher tried and failed to launch solo comedy-variety shows. They revived their show together briefly in 1976 and 1977. Cher went on to a successful film career, winning the Best Actress Oscar for Moonstruck (1987). Bono later became a politician, serving as mayor of Palm Springs and a U.S. congressman.

 

August 1, 1981

MTV launches. MTV: Music Television goes on the air for the first time ever, with the words (spoken by one of MTV’s creators, John Lack): “Ladies and gentlemen, rock and roll.” The Buggles’ “Video Killed the Radio Star” was the first music video to air on the new cable television channel, which initially was available only to households in parts of New Jersey. 

MTV went on to revolutionize the music industry and become an influential source of pop culture and entertainment in the United States and other parts of the world, including Europe, Asia and Latin America, which all have MTV-branded channels.

In MTV’s early days, its programming consisted of basic music videos that were introduced by VJs (video jockeys) and provided for free by record companies. As the record industry recognized MTV’s value as a promotional vehicle, money was invested in making creative, cutting-edge videos. Some directors, including Spike Jonze (Being John Malkovich, Three Kings) and Michel Gondry (Eternal Sunshine of the Spotless Mind), worked on music videos before segueing into feature films. In the 1980s, MTV was instrumental in promoting the careers of performers such as Madonna, Michael Jackson, Prince and Duran Duran, whose videos played in heavy rotation.

By the late 1980s, MTV started airing non-video programming, geared toward teenagers and young adults. Its popular reality series The Real World launched in 1992 and was followed by such highly rated shows as The Osbournes, Newlyweds: Nick and Jessica, Laguna Beach, My Super Sweet 16 and The Hills. MTV also debuted animated series including Beavis and Butthead and Celebrity Deathmatch, as well as documentaries, news, game shows and public service campaigns on topics ranging from voting rights to safe sex. MTV developed a reputation for pushing cultural boundaries and taste; the airing of Madonna’s 1989 “Like a Prayer” video is just one famous example. In 1984, the channel launched the MTV Music Video Awards, which were followed in 1992 by the MTV Movie Awards. Today, MTV’s music-video programming is largely confined to one show, Total Request Live.

Stay Tuned

Tony Figueroa

This Week in Television History: June 2026 PART III

  

June 16, 1976

The TV show The Jacksons began airing for four weeks on CBS. 

The Jacksons was a variety show featuring the Jackson siblings (except for Jermaine, who was signed to Motown while the Jackson group was signed to the Epic/CBS record label). It was the first variety show where the entire cast were siblings. As with the Jackson 5 regular performances, Michael Jackson was the lead performer in musical and dance performances.

The thirty-minute Wednesday evening show began airing on CBS as a summer 1976 show and it continued into the 1976–1977 season, finishing on March 9, 1977 after running for 12 episodes.

June 21, 2001

Carroll O'Connor died in Culver City, California from a heart attack brought on by complications from diabetes. 

His funeral Mass was celebrated at St. Paul the Apostle Catholic Church in Westwood, Los Angeles, California and was attended by All in the Family cast members Rob Reiner, Sally Struthers and Danielle Brisebois, as well as producer Norman Lear. Actress Jean Stapleton, who played O'Connor's onscreen wife and who had been a close friend of O'Connor's since the early 1960s, did not attend the service due to a stage production performance commitment.

In honor of O'Connor's career, TV Land moved an entire weekend of programming to the next week and showed a continuous marathon of All in the Family. During the commercial breaks TV Land also showed interview footage of O'Connor and various All in the Family actors, producers with whom he had worked, and other associates. O'Connor's best friend Larry Hagman and his family were also there, alongside the surviving cast of In the Heat of the Night, including Alan Autry and Denise Nicholas, who also attended the memorial. Actor Martin Sheen, then starring on The West Wing, delivered the eulogy. O'Connor is buried at Westwood Village Memorial Park Cemetery with his son Hugh's cenotaph placed on his grave stone.

Stay Tuned

Tony Figueroa

This Week in Television History: June 2026 PART I

       

June 1, 1926

Andy Samuel Griffith (born June 1, 1926) is an American actor, director, producer, Grammy Award-winning Southern-gospel singer, and writer. 

He gained prominence in the starring role in director Elia Kazan's epic film, A Face in the Crowd (1957) before he became better known for his television roles, playing the lead characters in the 1960–68 situation comedy, The Andy Griffith Show, and in the 1986–95 legal drama, Matlock. Griffith was awarded the Presidential Medal of Freedom by US President George W. Bush on November 9, 2005.

Early life and education

Griffith was born in Mount Airy, North Carolina, the only child of Geneva (née Nunn) and Carl Lee Griffith. At a very young age, Griffith had to live with relatives until his parents could afford to get a home of their own. Without a crib or a bed, he slept in drawers for a few months. In 1929, when Griffith was three years old, his father took a job working as a carpenter and was finally able to purchase a home in Mount Airy's "blue-collar" southside.

Like his mother, Griffith grew up listening to music. His father instilled a sense of humor from old family stories. By the time he entered school he was well aware that he was from what many considered the "wrong side of the tracks". He was a shy student, but once he found a way to make his peers laugh, he began to come out of his shell and come into his own.

As a student at Mount Airy High School, Griffith cultivated an interest in the arts, and he participated in the school's drama program. A growing love of music, particularly swing, would change his life. Griffith was raised Baptist and looked up to Ed Mickey, a minister at Grace Moravian Church, who led the brass band and taught him to sing and play the trombone. Mickey nurtured Griffith's talent throughout high school until graduation in 1944. Griffith was delighted when he was offered a role in The Lost Colony, a play still performed today on Roanoke Island. He performed as a cast member of the play for several years, playing a variety of roles, until he finally landed the role of Sir Walter Raleigh, the namesake of North Carolina's capital.

He began college studying to be a Moravian preacher, but he changed his major to music and became a part of the school's Carolina Play Makers. He attended the University of North Carolina at Chapel Hill (UNC) in Chapel Hill, North Carolina, and graduated with a bachelor of music degree in 1949. At UNC he was president of the UNC Men's Glee Club and a member of the Alpha Rho Chapter of Phi Mu Alpha Sinfonia, America's oldest fraternity for men in music. He also played roles in several student operettas, including The Chimes of Normandy (1946), and Gilbert and Sullivan's The Gondoliers (1945), The Mikado (1948) and H.M.S. Pinafore (1949).^[4]

After graduation, he taught English for a few years at Goldsboro High School in Goldsboro, North Carolina, where he taught, among others, Carl Kasell. He also began to write.

Griffith's early career was as a monologist, delivering long stories such as What it Was, Was Football, which is told from the point of view of a rural backwoodsman trying to figure out what was going on in a football game.^[6] Released as a single in 1953 on the Colonial label, the monologue was a hit for Griffith, reaching number nine on the charts in 1954.

Griffith starred in a one-hour teleplay version of No Time for Sergeants (March 1955)—a story about a country boy in the US Air Force—on The United States Steel Hour, a television anthology series. He expanded that role in a full-length theatrical version of the same name (October 1955) on Broadway in New York City, New York.^[8] His Broadway career also included the title role in the 1957 musical, Destry Rides Again, co-starring Delores Gray. The show, with a score by Harold Rome, ran for more than a year.

Griffith later reprised his role for the film version (1958) of No Time for Sergeants; the film also featured Don Knotts, as a corporal in charge of manual-dexterity tests, marking the beginning of a life-long association between Griffith and Knotts. No Time for Sergeants is considered the direct inspiration for the later television situation comedy Gomer Pyle, U.S.M.C.

He also portrayed a US Coast Guard sailor in the feature film Onionhead (1958); it was neither a critical nor a commercial success.

Dramatic role in A Face in the Crowd (1957)

In 1957 Griffith made his film début, starring in the film A Face in the Crowd. Although he plays a "country boy", this country boy is manipulative and power-hungry, a drifter who becomes a television host and uses his show as a gateway to political power. Co-starring Patricia Neal, Walter Matthau, Tony Franciosa, and Lee Remick (in her film début as well), this now-classic film, directed by Elia Kazan, showcases Griffith's powerful talents. Written by Budd Schulberg, and partly based on the on-stage phoniness of Arthur Godfrey, the film demonstrated, quite early on, the power that television can have upon the masses. This prescient film was seldom run on television until the 1990s.

A 2005 DVD reissue of A Face in the Crowd includes a mini-documentary on the film, with comments from Schulberg and surviving cast members Griffith, Franciosa, and Neal. In his interview, Griffith, revered for his wholesome image for decades, reveals a more complex side of himself. He recalls Kazan prepping him to shoot his first scene with Remick's teenaged baton twirler, who captivates Griffith's character on a trip to Arkansas. Griffith also expresses his belief that the film was far more popular and respected in more recent decades than it was when originally released.

Griffith's first appearance on television had been in 1955 in the one-hour teleplay of No Time for Sergeants on The United States Steel Hour. That was the first of two appearances on that series.

In 1960, Griffith appeared as a county sheriff (who was also a justice of the peace and the editor of the local newspaper) in an episode of Make Room for Daddy, starring Danny Thomas. This episode, in which Thomas' character is stopped for speeding in a little town, served as a backdoor pilot for The Andy Griffith Show. Both shows were produced by Sheldon Leonard.

The Andy Griffith Show (1960–1968)

Beginning in 1960, Griffith starred as Sheriff Andy Taylor in The Andy Griffith Show for the CBS television network. The show took place in the fictional town of Mayberry, North Carolina, where Taylor, a widower, was the sheriff and town sage. The show was filmed at Desilu Studios, with exteriors filmed at Forty Acres in Culver City, CA.

From 1960 to 1965, the show co-starred character actor and comedian—and Griffith's longtime friend—Don Knotts in the role of Deputy Barney Fife, Taylor's best friend and partner. He was also Taylor's cousin in the show. In the series première episode, in a conversation between the two, Fife calls Taylor "Cousin Andy", and Taylor calls Fife "Cousin Barney". The show also starred child actor Ron Howard (then known as Ronny Howard), who played Taylor's only child, Opie Taylor.

It was an immediate hit. Although Griffith never received a writing credit for the show, he worked on the development of every script. While Knotts was frequently lauded and won multiple Emmy Awards for his comedic performances (as did Frances Bavier in 1967), Griffith was never nominated for an Emmy Award during the show's run.

In 1967, Griffith was under contract with CBS to do one more season of the show. However, he decided to quit the show to pursue a movie career and other projects. The series continued as Mayberry R.F.D., with Ken Berry starring as a widower farmer and many of the regular characters recurring, some regularly and some as guest appearances. Griffith served as executive producer (according to Griffith, he came in once a week to review the week's scripts and give input) and guest starred in five episodes (the pilot episode involved his marriage to Helen Crump).^[10] He made final appearances as Taylor in the 1986 reunion television film, Return to Mayberry, and in two reunion specials in 1993 and 2003.

Matlock (1986–1995)

After leaving his still-popular show in 1968, and starting his own production company (Andy Griffith Enterprises) in 1972, Griffith starred in less-successful television series such as Headmaster (1970), The New Andy Griffith Show (1971), Adams of Eagle Lake (1975) Salvage 1 (1979), and The Yeagers (1980).

After spending time in rehabilitation for leg paralysis from Guillain–Barré syndrome in 1986, Griffith returned to television as the title character, Ben Matlock, in the legal drama Matlock (1986–1995) on NBC and ABC. Matlock was a country lawyer in Atlanta, Georgia, who was known for his Southern drawl and for always winning his cases. Matlock also starred unfamiliar actors (both of whom were childhood fans of Andy Griffith) Nancy Stafford as Michelle Thomas (1987–1992) and Clarence Gilyard Jr. as Conrad McMasters (1989–1993). By the end of its first season it was a ratings powerhouse on Tuesday nights. Although the show was nominated for four Emmy Awards, Griffith once again was never nominated. He did, however, win a People's Choice Award in 1987 for his work as Matlock.

During the series' sixth season, he served as unofficial director, executive producer and writer of the show.

This show is mentioned on TV's longest animated show The Simpsons and is noted as Grandpa Simpson's favorite show as well as Marge Simpson's mother Jacqueline Bouvier's as well.

Griffith has also made other character appearances through the years on Playhouse 90, Gomer Pyle, U.S.M.C., The Mod Squad, Hawaii Five-O, The Doris Day Show, Here's Lucy, The Bionic Woman, Fantasy Island, among many others. He also reprised his role as Ben Matlock on Diagnosis: Murder in 1997, and his most recent guest-starring role was in 2001 in an episode of Dawson's Creek.

For most of the 1970s, Griffith starred or appeared in many television films including The Strangers In 7A (1972), Go Ask Alice (1973), Winter Kill (1974), and Pray for the Wildcats (1974), which marked his first villainous role. Griffith appeared again as a villain in Savages (1974), a television film based on the novel Deathwatch (1972) by Robb White. Griffith received his only Primetime Emmy Award nomination as Outstanding Supporting Actor – Miniseries or a Movie for his role as the father of a murder victim in the television film Murder In Texas (1981) and won further acclaim for his role as a homicidal villain in the television film Murder in Coweta County (1983), co-starring music legend Johnny Cash as the sheriff. He also proved to be a good character actor and appeared in several television mini-series, including the television version of From Here to Eternity (1979), Roots: The Next Generations (1979), Centennial (1978), and the Watergate scandal-inspired Washington: Behind Closed Doors (1977), playing a former president loosely based on Lyndon B. Johnson.

Most of the TV movies Griffith starred in were also attempts to launch a new series. 1974's Winter Kill launched the short lived Adams of Eagle Lake which was canceled after only two episodes in 1975. A year later, he starred as a New York City attorney for the DA's office in Street Killing which also failed to launch a new series. Two television films for NBC in 1977, The Girl in The Empty Grave and Deadly Game, were attempts for Griffith to launch a new series featuring him as Police Chief Abel Marsh, a more hard-edged version of Andy Taylor; despite strong ratings for both films, both were unsuccessful.

While appearing in television films and guest roles on television series over the next 10 years, Griffith also appeared in two feature films, both of which flopped at the box office. He co-starred with Jeff Bridges as a crusty old 1930s western actor in the comedy Hearts of the West (1975), and he appeared alongside Tom Berenger as a gay villainous colonel and cattle baron in the western comedy spoof Rustlers' Rhapsody (1985).

He also appeared as an attorney in the NBC mini-series Fatal Vision in 1984, which is considered a precursor to his role in Matlock.

Griffith stunned many unfamiliar with his A Face in the Crowd work in the television film Crime of Innocence (1985), where he portrayed a callous judge who routinely sentenced juveniles to hard prison time. He further stunned audiences with his role as a dangerous and mysterious grandfather in 1995's Gramps, co-starring the late John Ritter. He also appeared as a comical villain in the spy movie spoof Spy Hard (1996) starring Leslie Nielsen. In the television film A Holiday Romance (1999), Griffith played the role of "Jake Peterson." In the film Daddy and Them (2001), Griffith portrayed a patriarch of a dysfunctional southern family.

In the feature film Waitress (2007), Griffith played a crusty diner owner who takes a shine to Keri Russell's character. His latest appearance was the leading role in the romantic comedy, independent film Play The Game (2009) as a lonely, widowed grandfather re-entering the dating world after a 60-year hiatus. The cast of Play The Game also included Rance Howard, Ron Howard's real-life father, who made appearances in various supporting roles on The Andy Griffith Show, and Clint Howard, Ron's younger brother, who had the recurring role of Leon (the kid offering the ice cream cone or peanut butter sandwich) on TAGS.

Singing and recording career

Griffith sang as part of some of his acting roles, most notably in A Face In The Crowd and in many episodes of both The Andy Griffith Show and Matlock. In addition to his recordings of comic monologues in the 1950s, he made an album of upbeat country and gospel tunes during the run of The Andy Griffith Show, which included a version of the show's theme sung by Griffith under the title "The Fishin' Hole". In recent years, he has recorded successful albums of classic Christian hymns for Sparrow Records. His most successful was the 1996 release I Love to Tell the Story: 25 Timeless Hymns, which was certified platinum by the RIAA.

Griffith appeared in country singer Brad Paisley's music video "Waitin' on a Woman" (2008).

 June 5, 1956

Elvis rocks The Milton Berle Show

By the end of 1955, Elvis Presley had nearly 18 months of nonstop touring behind him and two dozen singles already under his belt, though his only hits were on the Country and Western charts. He was a hardworking and hard-to-categorize up-and-comer, but the next six months would make him a superstar. It was his debut single on RCA/Victor, his new label, which propelled Elvis to the top of the pop charts. But if "Heartbreak Hotel" is what made him the king of the radio and record stores during the spring of 1956, it was television that truly made him the King of Rock and Roll. And if any one moment might be called his coronation, it was his appearance on The Milton Berle Show on this day in 1956, when he set his guitar aside and put every part of his being into a blistering, scandalous performance of "Hound Dog."

This was not Presley's first television appearance, nor even his first appearance onMilton Berle. Between January and March 1956, Elvis made six appearances on Tommy and Jimmy Dorsey's Stage Show, and on April 3, he appeared for the first time with Uncle Miltie. But every one of those appearances featured Elvis either in close-up singing a slow ballad, or full body but with his movements somewhat restricted by the acoustic guitar he was playing. It was on his second Milton Berle Show appearance that he put the guitar aside and America witnessed, for the very first time, the 21-year-old Elvis Presley from head to toe, gyrating his soon-to-be-famous (or infamous) pelvis.

Reaction to Elvis' performance in the mainstream media was almost uniformly negative. "Mr. Presley has no discernible singing ability....For the ear, he is an unutterable bore," wrote critic Jack Gould in the next day's New York Times. "His one specialty is an accented movement of the body that heretofore has been primarily identified with the repertoire of the blonde bombshells of the burlesque runway. The gyration never had anything to do with the world of popular music and still doesn't." In the New York Daily News, Ben Gross described Presley's performance as "tinged with the kind of animalism that should be confined to dives and bordellos," while the New York Journal-American's Jack O'Brien said that Elvis "makes up for vocal shortcomings with the weirdest and plainly suggestive animation short of an aborigine's mating dance." Meanwhile, the Catholic weekly America got right to the point in its headline: "Beware of Elvis Presley."

 

June 6, 1971

The Ed Sullivan Show airs for the very last time. 

Sunday nights, 8:00 pm, CBS. Ask almost any American born in the 1950s or earlier what television program ran in that timeslot on that network, and they'll probably know the answer: The Ed Sullivan Show. For more than two decades, Sullivan's variety show was the premiere television showcase for entertainers of all stripes, including borscht-belt comedians, plate-spinning vaudeville throwbacks and, most significantly, some of the biggest and most current names in rock and roll. Twenty-three years after its 1948 premiere, The Ed Sullivan Show had its final broadcast on this day in 1971.

In its first eight years of existence, there was no such thing as rock and roll to be featured on the program originally called Toast of the Town, yet even its first broadcast made music history when Broadway composers Richard Rodgers and Oscar Hammerstein II gave the world its first taste of the score from their upcoming musical, South Pacific. Over the years, live performances of new and current Broadway shows were featured regularly on Ed Sullivan, including Julie Andrews singing "Wouldn't It Be Loverly?" from My Fair Lady and Richard Burton singing "What Do The Simple Folk Do?" from Camelot. Classical and opera performers also made frequent appearances, but of course The Ed Sullivan Show is now remembered most for providing so many iconic moments in the history of televised rock and roll.

Elvis Presley's first appearance on The Ed Sullivan Show, in September 1956, was actually one of his most restrained and least thrilling. It was notable, however, given Ed Sullivan's assertion earlier that year that he'd never allow "The King" on his show. By the time the Beatles rolled around, Sullivan was far more comfortable with the hysteria young Elvis had caused. In fact, it was Ed Sullivan personally witnessing Beatlemania up close at London's Heathrow airport in 1963 that led the Beatles being booked for their historic February 1964 American television debut. Through the rest of the 60s, The Ed Sullivan Show continued to host the day's biggest rock acts: The Rolling Stones, The Supremes, The Doors, The Mamas and the Papas, Janis Joplin and more.

Gladys Knight and the Pips were the musical guests on the final episode of The Ed Sullivan Show, which was cancelled shortly after its rerun broadcast on this day in 1971.

Stay Tuned

Tony Figueroa