Monday, January 26, 2026

This Week in Television History: January 2025 PART IV

   

January 26, 1926

John Logie Baird gave the world's first demonstration of true television before 50 scientists in an attic room in central London. 

In 1927, his television was demonstrated over 438 miles of telephone line between London and Glasgow, and he formed the Baird Television Development Company. (BTDC). In 1928, the BTDC achieved the first transatlantic television transmission between London and New York and the first transmission to a ship in mid-Atlantic. He also gave the first demonstration of both colour and stereoscopic television.

January 27, 1976

The Happy Days spin-off Laverne and Shirley, featuring two Milwaukee women who work on a brewery assembly line preimers. 

The show starred Penny Marshall, sister of producer Garry Marshall, and Cindy Williams. Fierce rivalry erupted between the two stars, and Williams left the show in 1982. The show lasted only one more season before its cancellation in 1983.

January 28, 1936

Alan Alda is born Alphonso Joseph D'Abruzzo. 

A six-time Emmy Award and Golden Globe Award winner, he is best known for his roles as Hawkeye Pierce in the TV series M*A*S*H and Arnold Vinick in The West Wing. He is currently a Visiting Professor at the State University of New York at Stony Brook School of Journalism and a member of the advisory board of The Center for Communicating Science.

Family and early life

Alda was born Alphonso Joseph D'Abruzzo in The Bronx, New York City. His father, Robert Alda (born Alphonso Giuseppe Giovanni Roberto D'Abruzzo), was an actor and singer, and his mother, Joan Browne, was a former showgirl. His father was of Italian descent and his mother was of Irish ancestry. His adopted surname, "Alda," is a portmanteau of ALphonso and D'Abruzzo. When Alda was seven years old, he contracted poliomyelitis. To combat the disease, his parents administered a painful treatment regimen developed by Sister Elizabeth Kenny that consisted of applying hot woollen blankets to his limbs and stretching his muscles. Alda attended Archbishop Stepinac High School in White Plains, New York. In 1956, he received his Bachelor of Science degree in English from Fordham College of Fordham University in the Bronx, where he was a student staff member of its FM radio station, WFUV. Alda's half-brother, Antony Alda, was born the same year and would also become an actor.

During Alda's junior year, he studied in Paris, acted in a play in Rome, and performed with his father on television in Amsterdam. In college, he was a member of the ROTC, and after graduation, he served for a year at Fort Benning, Georgia, then joined the U.S. Army Reserve, and served for six months as a gunnery officer. A year after graduation, he married Arlene Weiss, with whom he has three daughters: Eve, Elizabeth, and Beatrice. Two of his 7 grandchildren are aspiring actors. The Aldas have been longtime residents of Leonia, New Jersey. Alda frequented Sol & Sol Deli on Palisade Avenue in the nearby town of Englewood, New Jersey—a fact mirrored in his character's daydream about eating whitefish from the establishment, in an episode of M*A*S*H in which Hawkeye sustains a head injury.

Career

Early acting

Alda began his career in the 1950s, as a member of the Compass Players comedy revue. In 1966, he starred in the musical The Apple Tree on Broadway; he was nominated for the Tony Award as Best Actor in a Musical for that role.

Alda made his Hollywood acting debut as a supporting player in Gone are the Days! – a film version of the highly successful Broadway play Purlie Victorious, which co-starred veteran actors Ruby Dee and her husband, Ossie Davis. Other film roles would follow, such as his portrayal of author, humorist, and actor George Plimpton in the film Paper Lion (1968),[4] as well as The Extraordinary Seaman (1969), and the occult-murder-suspense thriller The Mephisto Waltz, with actress Jacqueline Bisset. During this time, Alda frequently appeared as a panelist on the 1968 revival of What's My Line?. He also appeared as a panelist on I've Got a Secret during its 1972 syndication revival.

M*A*S*H Series (1972–83)

In early 1972, Alda auditioned for and was selected to play the role of "Hawkeye Pierce" in the TV adaptation of the 1970 film MASH.[4] He was nominated for 21 Emmy Awards, and won five. He took part in writing 19 episodes, including the finale, and directed 32. When he won his first Emmy Award for writing, he was so happy that he performed a cartwheel before running up to the stage to accept the award. He was also the first person to win Emmy Awards for acting, writing, and directing for the same series. Richard Hooker, who wrote the novel on which M*A*S*H was based, did not like Alda's portrayal of Hawkeye Pierce (Hooker, a Republican, had based Hawkeye on himself, whereas Alda and the show's writers took the character in a more liberal direction).[citation needed] Alda also directed the show's 1983 2½-hour series finale "Goodbye, Farewell and Amen", which remains the single most-watched episode of any television series.[4] Alda is the only series regular to appear in all 251 episodes.

The cast of M*A*S*H from Season 2, 1974 (clockwise from left): Loretta Swit, Larry Linville, Wayne Rogers, Gary Burghoff, McLean Stevenson, and Alda

The cast of M*A*S*H from Season 8 onwards (clockwise from left): Mike Farrell, William Christopher, Jamie Farr, David Ogden Stiers, Loretta Swit, Alda, Harry Morgan

Alda commuted from Los Angeles to his home in New Jersey every weekend for 11 years while starring in M*A*S*H. His wife and daughters lived in New Jersey, and he did not want to uproot his family to L.A., especially because he did not know how long the show would last.

Alan Alda, father Robert Alda, and half-brother Antony Alda appeared together in an episode of M*A*S*H, "Lend a Hand", during Season 8. Robert had previously appeared in "The Consultant" in Season 3.

During the first five seasons of the series, the tone of "M*A*S*H" was largely that of a traditional "service comedy", in the vein of shows like "McHale's Navy". However, as the original writers gradually left the series, Alda gained increasing control, and by the final seasons had become a producer and creative consultant. Under his watch, M*A*S*H retained its comedic foundation, but gradually assumed a somewhat more serious tone, openly addressing political issues. As a result, the 11 years of M*A*S*H are generally split into two eras: the Larry Gelbart/Gene Reynolds "comedy" years (1972–1977), and the Alan Alda "dramatic" years (1977–1983).

In his 1981 autobiography, Jackie Cooper (who directed several early episodes) wrote that Alda concealed a lot of hostility beneath the surface, and that the two of them barely spoke to each other by the time Cooper’s directing of M*A*S*H ended.

During his M*A*S*H years, Alda made several game-show appearances, most notably in The $10,000 Pyramid and as a frequent panelist on To Tell the Truth.

His favorite episodes of M*A*S*H are "Dear Sigmund" and "In Love and War".

In 1996, Alda was ranked #41 on TV Guide's "50 Greatest TV Stars of All Time".

Writing and Directing Credits

The following is a list of M*A*S*H episodes written and/or directed by Alda.

Season One

  • Episode 19: "The Long John Flap" (Written)

Season Two

  • Episode 5: "Dr. Pierce and Mr. Hyde" (Written with Robert Klane)
  • Episode 23: "Mail Call" (Directed)

Season Three

  • Episode 16: "Bulletin Board" (Directed)

Season Four

  • Episode 4: "The Late Captain Pierce" (Directed)
  • Episode 7: "Dear Mildred" (Directed)
  • Episode 8: "The Kids" (Directed)
  • Episode 16: "Dear Ma" (Directed)

Season Five

  • Episode 2: "Margaret's Engagement" (Directed)
  • Episode 7: "Dear Sigmund (Written and Directed)
  • Episode 12: "Exorcism" (Directed)
  • Episode 19: "Hepatitis" (Written and Directed)

Season Six

  • Episode 2: "Fallen Idol" (Written and Directed)
  • Episode 4: "War of Nerves" (Written and Directed)
  • Episode 7: "In Love and War" (Written and Directed)
  • Episode 12: "Comrades in Arms, Part 1" (Written; Directed with Burt Metcalfe)
  • Episode 13: "Comrades in Arms, Part 2" (Written; Directed with Burt Metcalfe)

Season Seven

  • Episode 5: "The Billfold Syndrome" (Directed)
  • Episode 8: "Major Ego" (Directed)
  • Episode 14: "Dear Sis" (Written and Directed)
  • Episode 16: "Inga" (Written and Directed)
  • Episode 25: "The Party" (Written with Burt Metcalfe)

Season Eight

  • Episode 3: "Guerilla My Dreams" (Directed)
  • Episode 11: "Life Time" (Written with Walter D. Dishell, M.D.; Directed)
  • Episode 15: "Yessir, That's Our Baby" (Directed)
  • Episode 20: "Lend a Hand" (Written and Directed)
  • Episode 22: "Dreams" (Teleplay; Story with James Jay Rubinfier; Directed)

Season Nine

  • Episode 4: "Father's Day" (Directed)
  • Episode 12: "Depressing News" (Directed)
  • Episode 15: "Bottoms Up" (Directed)
  • Episode 20: "The Life You Save" (Written with John Rappaport; Directed)

Season Ten

  • Episode 6: "Communication Breakdown" (Directed)
  • Episode 10: "Follies of the Living—Concerns of the Dead" (Written and Directed)
  • Episode 16: "Where There's a Will, There's a War" (Directed)

Season Eleven

  • Episode 1: "Hey, Look Me Over" (Written with Karen Hall)
  • Episode 16: "Goodbye, Farewell and Amen" (Written with Burt Metcalfe, John Rappaport, Dan Wilcox, Thad Mumford, Elias Davis, David Pollock and Karen Hall; Directed)

Post-M*A*S*H

Alda's prominence in the enormously successful M*A*S*H gave him a platform to speak out on political topics, and he has been a strong and vocal supporter of women's rights and the feminist movement.[4] He co-chaired, with former First Lady Betty Ford, the Equal Rights Amendment Countdown campaign. In 1976, The Boston Globe dubbed him "the quintessential Honorary Woman: a feminist icon" for his activism on behalf of the Equal Rights Amendment.[13] As a liberal and often progressive activist, he has been a target for some political and social conservatives.

Alda played Nobel Prize-winning physicist Richard Feynman in the play QED, which had only one other character. Although Peter Parnell wrote the play, Alda both produced and inspired it. Alda has also appeared frequently in the films of Woody Allen, and was a guest star five times on ER, playing Dr. Kerry Weaver's mentor, Gabriel Lawrence. During the later episodes, it was revealed that Dr. Lawrence was suffering from the early stages of Alzheimer's disease. Alda also had a co-starring role as Dr. Robert Gallo in the 1993 TV movie And the Band Played On.

During M*A*S*H's run and continuing through the 1980s, Alda embarked on a successful career as a writer and director, with the ensemble dramedy The Four Seasons being perhaps his most notable hit. Betsy's Wedding is his last directing credit to date. After M*A*S*H, Alda took on a series of roles that either parodied or directly contradicted his "nice guy" image.[4] His role as a pompous celebrity television producer in Crimes and Misdemeanors was widely seen as a self-parody, although Alda has denied this.

In 1993, he co-starred with Woody Allen (also the director), Diane Keaton, and Anjelica Huston in the comedy/mystery Manhattan Murder Mystery. The four play a quartet of amateur crime solvers who become entangled in a murder plot possibly perpetrated by Keaton and Allen's neighbor. Alda's character is Ted, a playwright secretly in love with Keaton's character Carol, but who eventually falls for Huston's character Marcia.

In 1995, he starred as the President of the United States in Michael Moore's political satire/comedy film Canadian Bacon. Around this time, rumors circulated that Alda was considering running for the United States Senate in New Jersey, but he denied this. In 1996, Alda played Henry Ford in Camping With Henry and Tom, based on the book by Mark St. Germain, and Ben Stiller's father in the comedy film Flirting with Disaster.

Beginning in 2004, Alda was a regular cast member on the NBC program The West Wing, portraying Republican U.S. Senator and presidential candidate Arnold Vinick, until the show's conclusion in May 2006. He made his premiere in the sixth season's eighth episode, "In The Room," and was added to the opening credits with the thirteenth episode, "King Corn." In August 2006, Alda won an Emmy for his portrayal of Arnold Vinick in the final season of The West Wing. Alda had been a serious candidate, along with Sidney Poitier for the role of President Josiah Bartlet, before Martin Sheen was ultimately cast in the role.

In 2004, Alda portrayed conservative Maine Senator Owen Brewster in Martin Scorsese's Academy-Award winning film The Aviator, in which he co-starred with Leonardo DiCaprio.

Throughout his career, Alda has received 31 Emmy Award nominations and two Tony Award nominations, and has won seven People's Choice Awards, six Golden Globe Awards, and three Directors Guild of America awards. However, it was not until 2005, after a long acting career, that Alda received his first Academy Award nomination, for his role in The Aviator.

Alda also wrote several of the stories and poems that appeared in Marlo Thomas's television show Free to Be... You and Me.

Alda starred in the original Broadway production of the play 'Art', which opened on March 1, 1998, at the Bernard B. Jacobs Theatre. The play won the Tony Award for best original play.

Alda also had a part in the 2000 romantic comedy What Women Want, as the CEO of the advertising firm where the main characters worked.

In the spring of 2005, Alda starred as Shelly Levene in the Tony Award-winning Broadway revival of David Mamet's Glengarry Glen Ross, for which he received a Tony Award nomination for Best Featured Actor in a Play. Throughout 2009 and 2010, he appeared in three episodes of 30 Rock as Milton Greene, the biological father of Jack Donaghy (Alec Baldwin).

In 2011, Alda was scheduled to guest star on Law & Order: LA, portraying former police and naval officer John Winters, the father of the former main character Rex Winters. It is unknown whether he filmed his role before the series was redesigned and Rex Winters written off.

After the release of the movie Tower Heist, Alda was devastated when on December 7, 2011, he lost his idol and decades-long friend Harry Morgan, who played opposite Alda as Colonel Sherman T. Potter on M*A*S*H. Upon Morgan's death, Alda released a statement: "We had just a wonderful time reminiscing. That was the last time I saw Harry."

Charitable work and other interests

Alda has done extensive charity work. He helped narrate a 2005 St. Jude's Children's Hospital produced one-hour special TV show Fighting for Life.[15] He and his wife, Arlene, are also close friends of Marlo Thomas, who is very active in fund-raising for the hospital her father founded. The special featured Ben Bowen as one of six patients being treated for childhood cancer at Saint Jude. Alda and Marlo Thomas had also worked together in the early 70s on a critically acclaimed children's album entitled Free to Be You and Me, which featured Alda, Thomas and a number of other well-known character actors. This project remains one of the earliest public signs of his support of women's rights.

In 2005, Alda published his first round of memoirs, Never Have Your Dog Stuffed: and Other Things I've Learned. Among other stories, he recalls his intestines becoming strangulated while on location in Chile for his PBS show Scientific American Frontiers, during which he mildly surprised a young doctor with his understanding of medical procedures, which he had learned from M*A*S*H. He also talks about his mother's battle with schizophrenia. The title comes from an incident in his childhood, when Alda was distraught about his dog dying and his well-meaning father had the animal stuffed. Alda was horrified by the results, and took from this that sometimes we have to accept things as they are, rather than desperately and fruitlessly trying to change them.

In 2006, Alda contributed his voice to a part in the audio book of Max Brooks' World War Z. In this book, he voiced Arthur Sinclair Jr., the director of the United States Government's fictional "Department of Strategic Resources (DeStRes)".

His second memoir, Things I Overheard While Talking to Myself, weaves together advice from public speeches he has given with personal recollections about his life and beliefs.

Alda also has an avid interest in cosmology, and participated in BBC coverage of the opening of the Large Hadron Collider, at CERN, Geneva, in September 2008.

After years of interviews, Alda helped inspire the creation of the Center for Communicating Science at Stony Brook University in 2009. He remains on the advisory board as of 2012.

Alda has been a feminist activist for many years. He co-chaired, with former First Lady Betty Ford, the Equal Rights Amendment Countdown campaign. In 1976, The Boston Globe dubbed him "the quintessential Honorary Woman: a feminist icon" for his activism on behalf of the Equal Rights Amendment.

Religious views

In Things I Overheard While Talking to Myself, Alda describes how as a teen he was raised as a Roman Catholic and eventually he realized he had begun thinking like an agnostic or atheist:

For a while in my teens, I was sure I had it. It was about getting to heaven. If heaven existed and lasted forever, then a mere lifetime spent scrupulously following orders was a small investment for an infinite payoff. One day, though, I realized I was no longer a believer, and realizing that, I couldn’t go back. Not that I lost the urge to pray. Occasionally, even after I stopped believing, I might send off a quick memo to the Master of the Universe, usually on a matter needing urgent attention, like Oh, God, don’t let us crash. These were automatic expulsions of words, brief SOS messages from the base of my brain. They were similar to the short prayers that were admired by the church in my Catholic boyhood, which they called “ejaculations.” I always liked the idea that you could shorten your time in purgatory with each ejaculation; what boy wouldn’t find that a comforting idea? But my effort to keep the plane in the air by talking to God didn’t mean I suddenly was overcome with belief, only that I was scared. Whether I’d wake up in heaven someday or not, whatever meaning I found would have to occur first on this end of eternity.

Speaking further on agnosticism, Alda goes on to say:

I still don't like the word agnostic. It's too fancy. I'm simply not a believer. But, as simple as this notion is, it confuses some people. Someone wrote a Wikipedia entry about me, identifying me as an atheist because I'd said in a book I wrote that I wasn't a believer. I guess in a world uncomfortable with uncertainty, an unbeliever must be an atheist, and possibly an infidel. This gets us back to that most pressing of human questions: why do people worry so much about other people's holding beliefs other than their own?

Alda made these comments in an interview for the 2008 question section of the Edge Foundation website.

January 28, 1956

Young country-rock singer Elvis Presley makes his first-ever television appearance on the TV musical-variety program Stage Show

Presley sang "Heartbreak Hotel," which quickly became a hit single. In total, Elvis appeared on six shows. The program was hosted by swing band leaders Tommy and Jimmy Dorsey. Elvis went on to appear on Ed Sullivan's immensely popular variety show, Toast of the Town, in the fall of 1956. The appearance made Elvis a household name.


January 28, 1986

Challenger explodes 
The Space Shuttle Challenger disaster occurred on January 28, 1986, when the NASA Space Shuttle orbiterChallenger (OV-099) (mission STS-51-L) broke apart 73 seconds into its flight, leading to the deaths of its seven crew members, which included five NASA astronauts and two Payload Specialists. The spacecraft disintegrated over the Atlantic Ocean, off the coast of Cape CanaveralFlorida, at 11:39 EST (16:39 UTC). Disintegration of the vehicle began after an O-ring seal in its right solid rocket booster (SRB) failed at liftoff. The O-ring failure caused a breach in the SRB joint it sealed, allowing pressurized burning gas from within the solid rocket motor to reach the outside and impinge upon the adjacent SRB aft field joint attachment hardware and external fuel tank. This led to the separation of the right-hand SRB's aft field joint attachment and the structural failure of the external tank.Aerodynamic forces broke up the orbiter.

 

January 28, 1996

Jerry Siegel, creator of Superman, dies at age 81. 

Writer Sisgel created Superman with artist friend Joe Shuster when they were both teenagers in the 1930s. All the major newspaper syndicates rejected the character, who was born on the doomed planet Krypton and bundled off by his parents in a space capsule to Smallville USA, where he's raised by kindly earthlings. In 1938, however, Seigel and Shuster finally landed a comic book deal, and Superman's adventures as mild-mannered reporter Clark Kent moonlighting as the Man of Steel became an instant hit. The comic book spawned a newspaper strip that ran for 28 years, as well as a radio series that ran from 1940 to 1951.

The character, along with his friends cub reporter Jimmy Olson and ace newswoman Lois Lane, who never seem to penetrate Superman's Clark Kent disguise, appeared in movie serials from 1948 to 1950, and in a feature film in 1951. A popular Superman TV series ran from 1951 to 1957. Filmed on a shoestring budget, the show's special effects were limited to Superman crashing through walls, flying around, and witnessing fiery explosions. The same flying sequences were used repeatedly. Actor George Reeves was so well-known as Superman that he couldn't find other work when the series ended.

The Man of Steel reappeared on the big screen in 1978, with Christopher Reeves in the role. The hit film launched three follow-ups. In 1993, Superman appeared again in the TV comedy Lois and Clark.

 

February 1, 1951

TV Shows Atomic Blast, Live.

For the first time, television viewers witness the live detonation of an atomic bomb blast, as KTLA in Los Angeles broadcasts the blinding light produced by a nuclear device dropped on Frenchman Flats, Nevada. One of a hundred above-ground nuclear tests conducted between 1951 and 1962 in the Nevada desert, the A-bomb telecast found its way into the history books (and blogs) when cameramen secretly positioned on top of a Las Vegas hotel focused on the blast. The images were relayed to the station’s transmitter on Mount Wilson Observatory about 200 miles away, and early-bird viewers saw their television screens fill with white light at 5:30 in the morning.

Witnessing the blast telecast first-hand was KTLA reporter Stan Chambers. In a YouTube interview, Chambers described how station manager Klaus Landsberg pulled off the unauthorized broadcast. “We couldn’t get near the field, because it was all top secret. Klaus sent a crew to Las Vegas and put them on top of one of the hotels…. They kept the camera open for the flash of light that would come on when the blast went off.”

Los Angeles viewers tuned in for the one-off event. “We had a rating that was very large for 5:30 in the morning,” Chambers recalled. In the pre-videotape era, there were of course no replays as newsmen Gil Martin, anchoring from Las Vegas, and station staffer Robin Lane at Mount Wilson reported the incident. Chambers continued:

We stayed on the air, they waited for the right time, and all of a sudden there was the flash. The people watched it, Gil described it, Lane talked about it, and that was our telecast. That one flash. You just see this blinding white light. It didn’t seem real. We didn’t have videotape. You couldn’t say, “Let’s look at it again.”

1951’s Ranger Easy bomb was designed to test compression against critical mass in the Demon core, so-called because the plutonium mass became unstable and caused the radiation-poisoning death of a Los Alamos scientist. A B-50 bomber plane dropped the test weapon above the Nevada Test Site about 65 miles northwest of Las Vegas. Part of the Department of Energy’s Operation Ranger program, “Easy” delivered a 1-kiloton payload.

In the decade that followed Operation Ranger, A-bomb tests from Buster-Jangle, Tumbler-Snapper, Upshot-Knothole, Plumbbob, Nougat, Sunbeam and other programs became so commonplace that watching mushroom clouds turned into a Las Vegas tourist attraction.

In 1952, KTLA set up the first live, national feed for a Nevada atomic bomb explosion. That one was carried by the major networks.

February 1, 1976

Sonny and Cher resumed on TV despite a real life divorce.

In February 1976, the bitterness of their divorce behind them, the couple reunited for one last try with The Sonny and Cher Show. This incarnation of the series was produced by veteran musical variety-show writers, Frank Peppiatt and John Aylesworth. It was basically the same as their first variety series but with different writers to create new sketches and songs. The duo's opening conversations were markedly more subdued and made humbled references to the couple's divorce and Cher's subsequent marriage to Gregg Allman (during production Cher was pregnant with and eventually bore Allman's son, Elijah). (Some jokes would get awkward. In one opening segment Cher gave Sonny a compliment and Sonny jokingly replied "That's not what you said in the courtroom.") Despite these complications, the revived series garnered enough ratings to be renewed for a second season, finally ending its run in 1977. (By this time, the variety show genre was already in steep decline, and Sonny and Cher was one of the few successful programs of the genre remaining on the air at the time.)

Some of the guests who appeared on The Sonny and Cher Show included Frankie AvalonMuhammad AliRaymond BurrRuth BuzziCharoBarbara EdenNeil Sedaka,Farrah FawcettBob HopeDon KnottsJerry LewisTony OrlandoThe OsmondsDebbie ReynoldsThe Smothers BrothersTina TurnerTwiggy, and Betty White.

Stay Tuned
Tony Figueroa

Monday, January 19, 2026

This Week in Television History: January 2025 PART III

   

January 25, 1949

The National Academy of Television Arts and Sciences presents its first industry award at the Hollywood Athletic Club in Los Angeles. The Emmy for most popular program went to Pantomime Quiz Time, and puppeteer Shirley Dinsdale and her puppet Judy Splinters won an award for Outstanding TV Personality. Most of the awards were for programs produced by TV station KTLA. The station also won an award for Outstanding Overall Achievement.





Stay Tuned
Tony Figueroa

Monday, January 12, 2026

This Week in Television History: January 2025 PART II

  

January 12, 1926

Original Amos n Andy debuts on Chicago radio

The two-man comedy series "Sam 'n' Henry" debuts on Chicago's WGN radio station. Two years later, after changing its name to "Amos 'n' Andy," the show became one of the most popular radio programs in American history.

Though the creators and the stars of the new radio program, Freeman Gosden and Charles Carrell, were both white, the characters they played were two black men from the Deep South who moved to Chicago to seek their fortunes. By that time, white actors performing in dark stage makeup--or "blackface"--had been a significant tradition in American theater for over 100 years. Gosden and Carrell, both vaudeville performers, were doing a Chicago comedy act in blackface when an employee at the Chicago Tribune suggested they create a radio show.

When "Sam 'n' Henry" debuted in January 1926, it became an immediate hit. In 1928, Gosden and Carrell took their act to a rival station, the Chicago Daily News' WMAQ. When they discovered WGN owned the rights to their characters' names, they simply changed them. As their new contract gave Gosden and Carrell the right to syndicate the program, the popularity of "Amos 'n' Andy" soon exploded. Over the next 22 years, the show would become the highest-rated comedy in radio history, attracting more than 40 million listeners.

By 1951, when "Amos 'n' Andy" came to television, changing attitudes about race and concerns about racism had virtually wiped out the practice of blackface. With Alvin Childress and Spencer Williams taking over for Gosden and Carrell, the show was the first TV series to feature an all-black cast and the only one of its kind for the next 20 years. This did not stop African-American advocacy groups and eventually the National Association for the Advancement of Colored People (NAACP) from criticizing both the radio and TV versions of "Amos 'n' Andy" for promoting racial stereotypes. These protests led to the TV show's cancellation in 1953.

The final radio broadcast of "Amos 'n' Andy" aired on November 25, 1960. The following year, Gosden and Carrell created a short-lived TV sequel called "Calvin and the Colonel." This time, they avoided controversy by replacing the human characters with an animated fox and bear. The show was canceled after one season.

January 12, 1966

Batman aired it’s first episode. 

Based on the DC comic book character of the same name, which stars Adam West and Burt Ward as Batman and Robin, two crime-fighting heroes who defend Gotham City. It aired on the American Broadcasting Company (ABC) network for two and a half seasons from January 12, 1966 to March 14, 1968. Despite its short run, a total of 120 episodes were produced based on having two weekly installments for most of its tenure.

In the early 1960s, Ed Graham Productions optioned the TV rights to the comic strip Batman, and planned a straightforward juvenile adventure show, much like Adventures of Superman and The Lone Ranger, for CBS on Saturday mornings.Mike Henry was set to star as Batman. Reportedly, D.C. Comics commissioned publicity photos of Henry in a Batman costume. Around this same time, the Playboy Club in Chicago was screening the Batman serials (1943's Batman and 1949's Batman and Robin on Saturday nights. It became very popular, as the hip party goers would cheer and applaud the Dynamic Duo, and boo and hiss at the villains. East coast ABC executive Yale Udoff, a Batman fan in childhood, attended one of these parties at the Playboy Club and was impressed with the reaction the serials were getting. He contacted ABC executives Harve Bennett and Edgar J. Scherick, who were already considering developing a TV series based on a comic strip action hero, to suggest a prime time Batman series in the hip and fun style of The Man from U.N.C.L.E. When negotiations between CBS and Graham stalled, DC quickly re-obtained rights and made the deal with ABC, who farmed the rights out to 20th Century Fox to produce the series.

In turn, 20th Century Fox handed the project to William Dozier and his Greenway Productions. ABC and Fox were expecting a hip and fun—yet still serious—adventure show. However, Dozier, who loathed comic books, concluded the only way to make the show work was to do it as a pop art camp comedy. Originally, espionage novelist Eric Ambler was to write the motion picture that would launch the TV series, but he dropped out after learning of Dozier's camp comedy approach. By the time, ABC had pushed up the debut date to January 1966, thus foregoing the movie until the summer hiatus, Lorenzo Semple, Jr. had signed on as head script writer. He wrote the pilot script, and generally kept his scripts more on the side of pop art adventure. Stanley Ralph Ross, Stanford Sherman, and Charles Hoffman were script writers who generally leaned more toward camp comedy, and in Ross' case, sometimes outright slapstick and satire. Instead of producing a one-hour show, Dozier and Semple decided to have the show air twice a week in half-hour installments with a cliffhanger connecting the two episodes, echoing the old movie serials. Eventually, two sets of screen tests were filmed, one with Adam West and Burt Ward, the other with Lyle Waggoner and Peter Deyell, with West and Ward winning the roles.

The typical story began with a villain (often one of a short list of recurring villains) committing a crime, such as stealing a fabulous gem or taking over Gotham City. This was followed by a scene inside Commissioner Gordon's office where he and Chief O'Hara would deduce exactly which villain they were dealing with. Commissioner Gordon would press a button on the Batphone, a bright red telephone located on a pedestal in his office. The scene then cut to stately Wayne Manor where Alfred the butler would answer the Batphone, which sat like a normal everyday telephone on the desk in Bruce Wayne's study. Frequently, Wayne and his ward, Dick Grayson, would be found talking with Dick's Aunt Harriet, who was completely unaware of Bruce and Dick's identities as Batman & Robin, respectively. Alfred would discreetly interrupt so they could excuse themselves and go to the Batphone. Upon learning which criminal he would face this time, Bruce would push a button concealed within a bust of Shakespeare that stood on his desk causing a bookcase to slide back and revealing two poles. "To the Batpoles!" Wayne would exclaim, at which he and Grayson would slide down to the Batcave, activating an unseen mechanism on the way that dressed them as their alter egos. The title sequence often began at this point.

Similar in style and content to the 1940s serials, they would arrive in the Batcave in full costume and jump into the Batmobile, Batman in the driver's seat. Robin would say, "Atomic batteries to power...turbines to speed." Batman would respond, "Roger, ready to move out." And the two would race off out of the cave at high speed. As the Batmobile approached the mouth of the cave, actually a tunnel entrance in Los Angeles's Bronson Canyon, a hinged barrier dropped down to allow the car to exit onto the road. Scenes from the Dynamic Duo sliding down the batpoles in the Batcave, to the arrival at Commissioner Gordon's building via the Batmobile (while the episode credits are shown), are reused footage that is used in nearly all part 1 and single episodes.

After arriving at Commissioner Gordon's office, the initial discussion of the crime usually led to the Dynamic Duo conducting their investigation alone. During the investigation, a meeting with the villain would usually ensue, with the heroes getting involved in a fight and the villain getting away, leaving a series of unlikely clues for the Duo to investigate. Later, the Duo would face the villain again, and he or she would capture one or both of the heroes and place them in a deathtrap with a cliffhanger ending which was usually resolved in the first few minutes of the next episode.

The same pattern was repeated in the following episode until the villain was defeated in a major brawl where the action was punctuated by superimposed onomatopoeic words, as in comic book fight scenes ("POW!", "BAM!", "ZONK!", etc.). Not counting five of the Penguin's henchmen who disintegrate or get blown up in the associated Batman theatrical movie, only three criminal characters die during the series: the Riddler's moll Molly (played by Jill St. John in Episode 2) who accidentally falls into the Batcave's atomic pile, and two out-of-town gunmen who shoot at the Dynamic Duo toward the end of the "Zelda The Great/A Death Worse Than Fate" episode, but end up killing each other instead. In "Instant Freeze," Mr. Freeze freezes a butler solid and knocks him over, causing him to smash to pieces, although this is implied rather than seen, and there is a later reference suggesting the butler survived. In "Green Ice," Mr. Freeze freezes a policeman solid; it is left unclear whether he survived or not. In "The Penguin's Nest," a policeman suffers an electric shock at the hands of the Penguin's accomplices, but he apparently survived as he appeared in some later episodes. In "The Bookworm Turns," Commissioner Gordon appears to be shot and falls off a bridge to his death, but Batman deduces that this was actually an expert high diver in disguise, employed by The Bookworm as a ruse (implying that the diver survived the fall).

Robin, in particular, was especially well known for saying "Holy (insert), Batman!" whenever he encountered something startling.

The series utilized a narrator (producer William Dozier, uncredited) who parodied both the breathless narration style of the 1940s serials and Walter Winchell's narration of The Untouchables. He would end many of the cliffhanger episodes by intoning, "Tune in tomorrow — same Bat-time, same Bat-channel!"

Only two of the series' guest villains ever discovered Batman's true identity: Egghead by deductive reasoning, and King Tut on two occasions (once with a bug on the Batmobile and once by accidentally mining into The Batcave). Egghead was tricked into disbelieving his discovery, as was Tut in the episode when he bugged the Batmobile. In the episode when Tut tunnelled into the Batcave, he was hit on the head by a rock which made him forget his discovery and jarred him back into his identity as a mild-mannered Professor of Egyptology at Yale University. (He didn't even recognize Batgirl, asking her, "Why are you wearing that purple mask, lady?")

In Season 1, the dynamic duo, Batman (Adam West) and Robin (Burt Ward), are super crime-fighting heroes, contending with the villains of Gotham City. It begins with the two-parter, "Hi Diddle Riddle" and "Smack in the Middle", featuring Frank Gorshin as The Riddler.

In Season 2, the show suffered from repetition of its characters and formula. In addition, critics noted that the series' delicate balance of drama and humor that the first season maintained was lost as the stories became increasingly farcical. This, combined with Lorenzo Semple Jr. contributing fewer scripts and having less of an influence on the series, caused viewers to tire of the show and for critics to complain, "If you've seen one episode of Batman, you've seen them all."

By Season 3, ratings were falling and the future of the series seemed uncertain. A promotional short featuring Yvonne Craig as Batgirl and Tim Herbert as Killer Moth was produced. The short was convincing enough to pick up Batman for another season, and introduced Batgirl as a regular on the show in an attempt to attract more female viewers. Batgirl's alter ego was Barbara Gordon, a mild-mannered librarian at the Gotham Library and Commissioner Gordon's daughter.[3] The show was reduced to once a week, with mostly self-contained episodes, although the following week's villain would be in a tag at the end of the episode, similar to a soap opera. Accordingly, the narrator's cliffhanger phrases were eliminated, but most episodes would end with him saying something to the effect of "Watch the next episode!"

Aunt Harriet was reduced to just two cameo appearances during the third season because of Madge Blake's poor health. (Aunt Harriet was also mentioned in another episode, but was not seen; her absence was explained by her being in shock upstairs.) The nature of the scripts and acting started to enter into the realm of the surrealistic. For example, the set's backgrounds became mere two-dimensional cut-outs against a stark black stage. In addition, the third season was much more topical, with references to hippies, mods, and distinctive 1960's slang, which the previous seasons avoided.

Near the end of the third season, ABC planned to cut the budget even further by eliminating Robin and Chief O'Hara, and making Batgirl Batman's full-time partner. Both Dozier and West vetoed this idea, and ABC cancelled the show. Weeks later, NBC offered to pick the show up for a fourth season and even restore it to its original twice-a-week format, if the sets were still available for use. However, NBC's offer came too late: Fox had already demolished the sets a week before. NBC had no interest in paying the $800,000 for the rebuild, so the offer was withdrawn.

January 12, 1971

The controversial situation comedy All in the Family debuts. 

The show, which was one of TV's top hits for much of its run, starred Carroll O'Connor as bigoted Archie Bunker; Jean Stapleton as his wife, Edith; and Sally Struthers and Rob Reiner as the couple's liberal daughter and son-in-law. The show changed the course of television by portraying the harsh realities of bigotry and racism and dealing with controversial subjects like birth control, rape, and politics. The show changed its name to Archie Bunker's Place in 1979, when the action shifted from the Bunkers' living room to the bar Archie owned.

 

January 12, 1981

Dynasty premieres on ABC. 

The oil tycoon Blake Carrington (John Forsythe) prepares to marry his former secretary, the beautiful and innocent Krystle (Linda Evans), in the three-hour television movie that kicks off the prime-time ABC soap opera Dynasty.

Over the next eight years, the Carringtons, a rich Denver oil clan, and another wealthy family, the Colbys, would form the center of the campy, glamorous universe that was Dynasty. Envisioned as bitter rivals, in the style of the Montagues and Capulets of Romeo and Juliet, the two families intermarried and plotted against each other with equal enthusiasm. At the beginning of the second season, as buzz around the show began to grow, the British actress Joan Collins entered the mix as Blake Carrington’s evil ex-wife, Alexis; her clash with the good girl Krystle became one of the central plotlines of the show. In one of the series’ more memorable moments, Alexis and Krystle had a catfight in a lily pond.

Dynasty’s elaborately melodramatic plot lines resembled those of the daytime soap operas (kidnappings, amnesia, characters returning from the dead, etc.) and its style fit perfectly with the over-the-top excesses of the 1980s. It was no wonder, as the show was produced partially by Aaron Spelling, the man behind such hit shows as The Mod Squad, Charlie’s Angels, The Love Boat, Beverly Hills 90210 and Melrose Place. By the end of the 1982-83 season, Dynasty was fifth in the top-rated programs; it climbed to third place in 1983-84 and grabbed the number one spot in 1984-85. Its success spawned a short-lived spin-off, Dynasty II: The Colbys, and an entire line of licensed products such as clothing, bedding and perfume.

The over-the-top cliffhanger ending to the fourth season in May 1985 marked the beginning of the end, as the entire Carrington family gathered for a wedding in the fictional country of Moldavia. The festivities were disrupted by a terrorist attack, and while all of the main characters emerged unscathed, the show’s ratings began to drop precipitously. During its final season, 1988-89, Dynasty fell to a dismal 57th place and was unceremoniously dropped from the ABC lineup. Various plot lines were left unresolved, but disappointed fans got their long-awaited closure two years later, when ABC aired a two-part movie Dynasty: The Reunion in October 1991.

January 13, 1966

Elizabeth Montgomery’s character, Samantha, on Bewitched, had a baby. The baby's name was Tabitha.


January 14, 1976

Bionic Woman debuted on ABC.

The Bionic Woman is an American television series starring Lindsay Wagner that aired for three seasons between 1976 and 1978 as a spin-off from The Six Million Dollar Man. Wagner stars as tennis pro Jaime Sommers who is nearly killed in a skydivingaccident. Sommers' life is saved by Oscar Goldman (Richard Anderson) and Dr. Rudy Wells (Martin E. Brooks), by bionic surgical implants similar to those of The Six Million Dollar Man Steve Austin. As the result of Jaime's bionics, she has amplified hearing in her right ear, a greatly strengthened right arm, and stronger and enhanced legs which enable her to run at speeds exceeding 60 miles per hour.

The series proved highly popular worldwide, gaining high ratings in the US and particularly so in the UK (where it became the only Science fiction programme to achieve the No.1 position in the ratings during the 20th Century). The series ran for three seasons from 1976 to 1978 and was first shown on the ABC network and then the NBC network for its final season. Years after its cancelation, three spin-off TV movies were produced between 1987 and 1994. Reruns of the show aired on Sci-Fi Channel from 1997 to 2001. A remake of the series was produced in 2007.

January 15, 1981

Hill Street Blues begins run.

When the series first appeared, the police show had largely been given up for dead. Critics savaged stodgy and moralistic melodramas, and scoffed at lighter fare like Starsky and Hutch. Created by Steven Bochco and Michael Kozoll, Hill Street Blues invigorated television, paving the way for more realistic and gritty fare.

Hill Street Blues was set in an anonymous northern city (the exteriors were actually filmed in Chicago) and was the first real attempt by television to portray police officers as fallible human beings. Each episode began with the 7 a.m. roll call led by Sergeant Esterhaus. He closed the roll call with his trademark refrain, "Let's be careful out there."

The series not only changed the way that Americans viewed police officers, it also revolutionized the television drama itself. The show resisted formula and introduced the ensemble cast. Whereas early cop shows like Dragnet and Adam-12 were centered around a couple of officers who always got their man by the end of the hour, the full squad house of regulars on Hill Street Blues rarely resolved cases in one episode.

Hill Street Blues was acclaimed through its entire run. When it ended in May 1987, it had set the records for most Emmys won in a single season and most nominations in one year.

January 16, 1976

Donny and Marie premieres. 

Music variety show Donny and Marie premieres, starring 18-year-old Donny Osmond and his 16-year-old sister, Marie. The show ran for only three years, but the brother and sister were reunited in 1998 with a daytime talk show.

January 17, 1966

NBC Television greenlights The Monkees. 

The inspiration came from the Beatles, the financing came from Screen Gems, the music came from Don Kirshner and the stars came from an exhaustive audition process that began with this ad in Daily Variety in September 1965:

Madness!!

Auditions

Folk & Rock Musicians-Singers

For Acting Roles in New TV Series

Running Parts for 4 Insane Boys, Age 17-21

The ad drew more than 400 young men to the offices of Bob Rafelson and Bert Schneider, the young Hollywood producing team that would later make Easy Rider, but who for now were trying to milk the establishment rather than defy it. They spent the next four months shooting, cutting, market-testing, re-cutting and re-market-testing a comedy pilot they hoped would land them a network television deal. They got their green light on January 17, 1966, when the National Broadcasting Corporation ordered 32 episodes of The Monkees for its upcoming fall schedule.

The next eight months were a bit of a whirlwind for Rafelson and Schneider, for the team of songwriters and studio musicians assembled by Don Kirschner and, not least, for the four "insane boys" chosen to become the Monkees. Mickey Dolenz had never played a drum prior to being cast as "Mickey," and Peter Tork and Mike Nesmith had no acting experience prior to becoming "Peter" and "Mike." Davy Jones was already a triple-threat in the areas of acting, singing and being cute, but it had never been Rafelson and Schneider's intention to find such all-around professionals. "We wanted guys who could play themselves," Schneider explained to the press ahead of the NBC premiere of The Monkees in September 1966. "We didn't even look at actors, and we didn't look for experienced rock and roll groups."

The strategy, and indeed the entire grand scheme behind The Monkees, succeeded beyond all expectations. Not only did the television show find success against formidable competition in its time slot from Gilligan's Island, but the group that was a made-for-television knockoff of the Beatles soon had actual records that were outselling the Beatles themselves. Vincent Canby of the New York Times foresaw the commercial success of Rafelson and Schneider's creation the moment he witnessed the reaction of a crowd of preteen girls during a promotional appearance by the Monkees just three days before their network debut. "The Monkees' appearance yesterday afternoon at the Broadway," Canby wrote, "was just part of an elaborate campaign...to capture the teen-age imagination. The thoroughness of the campaign, as shown yesterday, might prompt renewed debate on the age-old question of free will. Do the teen-agers have a chance these days?"


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Tony Figueroa