Monday, April 27, 2020

This Week in Television History: April 2020 PART IV


April 28, 1965
My Name is Barbra is Barbra Streisand's debut television special. 
Barbra Streisand's breakout year as a singer came in 1963, when she released her first two albums, won her first two Grammys and began appearing live in some of the most prominent nightclubs in the country. By the following year, she was a showbiz phenomenon, earning further nominations from the Grammys and Tonys after wowing Broadway critics and audiences in her first leading role, as Fanny Brice in Funny Girl. Yet even then, in a Time magazine cover article in 1964, it was noted that "Many people still say Who when they hear her name." That probably changed once and for all on April 28, 1965, when millions of American television viewers tuned in to a solid primetime hour of the 22-year-old Streisand in her first-ever TV special, the triumphant My Name Is Barbra.
My Name is Barbra was the first special to be shot and aired under a $5 million, 10-year contract signed between Streisand and CBS in June 1964. Quite apart from the money, what made the deal so extraordinary was the creative control it gave to Streisand. She chose to exercise that control by eschewing many of the conventions of the then-popular musical variety show genre. Rather than shooting only in a studio, Streisand and her crew filmed one of their major sequences on location in the fur department of Bergdorf Goodman, where Streisand vamped in exotic fur coats and specially designed hats by Halston to a medley of poverty songs, including "Give Me the Simple Life" and "Brother Can You Spare a Dime." And rather than filling out the bill with big-name guest stars—a safe strategy for a young and still-rising star—Streisand performed every number alone. "You can imagine how nervous that made the network," Streisand later remarked, "when they learned that there would be major guest stars, not even any minor ones—just me and a bunch of great songs and some wonderful musicians."
However nervous they might have been, CBS executives were thrilled with the results. My Name is Barbra was a huge critical and ratings hit on this night in 1965. It won two Emmys and a Peabody Award and helped make Barbra Streisand truly a household name, further ensuring the success of later Streisand CBS specials like Color Me Barbra (1966) and The Belle of 14th Street (1967).


April 30, 1975
ABC aired the pilot episode of Starsky and Hutch.
The  series, which consisted of a 70-minute pilot movie (originally aired as a Movie of the Week entry) and 92 episodes of 50 minutes each. The show was created by William Blinn, produced by Spelling-Goldberg Productions, and broadcast between April 30, 1975, and May 15, 1979, on the ABC network. It was distributed byColumbia Pictures Television in the United States and, originally, Metromedia Producers Corporation in Canada and some other parts of the world. Sony Pictures Television is now the worldwide distributor for the series. The series also inspired a theatrical filmand a video game.

The series' protagonists were two Southern California police detectives: David Michael Starsky (Paul Michael Glaser), the dark-haired, Brooklyn transplant and U.S. Armyveteran, with a street-wise manner and intense, sometimes childlike moodiness; and Kenneth "Hutch" Hutchinson (David Soul), the blond, Duluth, Minnesota native with a more reserved and intellectual approach. Under the radio call sign "Zebra Three", they were known for usually tearing around the streets of fictional "Bay City, California". The vehicle of choice was Starsky's two-door Ford Gran Torino, which was bright-red, with a large white vector stripe on both sides. The Torino was nicknamed the "Striped Tomato" by Hutch in the episode "Snowstorm", and fans subsequently referred to the car by that nickname, too. However, this moniker didn't come from the writers - it came from a real-life comment that Glaser made. In a segment titled Starsky & Hutch: Behind The Badge that was featured on the first season DVDcollection, Glaser stated that when he was first shown the Torino by series producer Aaron Spelling, he sarcastically said to Soul, "That thing looks like a striped tomato!" In characteristic contrast, Hutch's vehicle was a battered, tan, 1973 Ford Galaxie 500. It occasionally appeared when the duo needed separate vehicles, or for undercover work; however, the duo's cover was often blown because Hutch's vehicle had a bad habit: when its driver's side door was opened, the horn would go off, instantly drawing attention. It was also noticeable due to the severely cluttered back seat, so cluttered that there was no room to transport both prisoners, and the two detectives, simultaneously.

May 2, 1965
The "Early Bird" satellite was used to transmit television pictures across the Atlantic. 

To quote the Bicentennial Minute, "And that's the way it was".


Stay Tuned


Tony Figueroa

Sunday, April 26, 2020

Your Mental Sorbet: A Special Performance of "Rainbow Connection" from Kermit the Frog


Here is another
that we could use to momentarily forget about those
things that leave a bad taste in our mouths

Image result for wash your hands gif
Stay Tuned and Wash Your Hands


Tony Figueroa

Monday, April 20, 2020

This Week in Television History: April 2020 PART III


April 22, 1978
The Blues Brothers make their world premiere on Saturday Night Live
The characters and the band that Belushi and Aykroyd unveiled that night took more than two years to evolve. The first incarnation came during SNL's first season, in a January 17, 1976, appearance singing "I'm a King Bee" as "Howard Shore and his All-Bee Band." There were no dark suits, skinny ties or Ray-Bans at that point, but the appearance did feature Aykroyd on the harmonica and Belushi on vocals belting out a blues classic very much in the style of the future Elwood and "Joliet" Jake Blues, albeit while wearing bee costumes. The Blues Brothers' look—and much of their repertoire—would come together after Belushi's trip to Eugene, Oregon, during the hiatus between SNL seasons two and three to film Animal House. It was there that Belushi, a committed rock-and-roll fan, met a 25-year-old bluesman named Curtis Salgado, future harmonica player for Robert Cray, frontman for Roomful of Blues and a major figure on the burgeoning Pacific Northwest blues scene of the 1970s. Belushi became a regular visitor to the Eugene Hotel to catch Salgado's act during the filming of Animal House, and it was from that act and from Salgado himself that he picked up a passion for the blues as well as the inspiration for the Blues Brothers' sound and look .
Back in New York for the third season of SNL, Belushi and Aykroyd honed their concept for the Blues Brothers Band and recruited an incredible roster of backing instrumentalists drawn from among the finest blues and R&B session musicians in the country. Even if their debut performance on this night in 1978 hadn't been a huge hit, the band was far too good to break up after a single gig. Indeed, the closing portion of Paul Shaffer's introduction that night—"Today they are no longer an authentic blues act, but have managed to become a viable commercial product"—ended up being borne out in real life, with the Blues Brothers earning three top-40 hits ("Soul Man," "Rubber Biscuit" and "Gimme Some Lovin'"), a #1 pop album (Briefcase Full of Blues) and a piece of screen immortality via their 1980 film, The Blues Brothers.
Steve Martin was the host of that episode and he previewed the novelty song "King Tut". Performed by and the Toot Uncommons (actually members of the Nitty Gritty Dirt Band). It was released as a single in 1978, sold over a million copies, and reached number 17 on the Billboard Hot 100 chart. The song was also included on Martin's album A Wild and Crazy Guy.
"King Tut" paid homage to Egyptian pharaoh
Tutankhamun and presents a caricature of the sensational Treasures of Tutankhamun traveling exhibit that toured seven United States cities from 1976 to 1979. The exhibit attracted approximately eight million visitors. In the Saturday Night Live performance of "King Tut," loyal subjects appease a joyful King Tut with kitchen appliances. An instrumental solo is delivered by saxophone player Lou Marini, who steps out of a sarcophagus to great laughter.
In the book Saturday Night: A Backstage History of Saturday Night Live, authors Doug Hill and Jeff Weingrad write that the sketch was one of the most expensive productions the show had attempted up to that point. Steve Martin had brought the song to the show and asked if he could perform it, not expecting the production that occurred—producer
Lorne Michaels put everything behind it.
Martin and the
Steep Canyon Rangers recorded the song in a bluegrass version for their 2011 album, Rare Bird Alert.
The song is the subject of in-depth analysis in Melani McAlister's Epic Encounters: Culture, Media, and U.S. Interests in the Middle East, 1945–2000.
It is also referenced in a dialogue in the video game
The Lost Vikings
(1992) at the end of one of the Egyptian themed levels of the game.

To quote the Bicentennial Minute, "And that's the way it was".


Stay Tuned


Tony Figueroa

Friday, April 17, 2020

Your Mental Sorbet: #StarsInTheHouse #53 Sunday 4/12 8PM Desperate Housewives

In the wake of the coronavirus pandemic and theatres across the world closing their curtains indefinitely, SiriusXM host Seth Rudetsky and his husband, producer James Wesley have created Stars in the House, a daily live streamed series to support The Actors Fund and its services. 

The Actors Fund is a national human services organization that fosters stability and resiliency, and provides a safety net for performing arts and entertainment professionals over their lifespan. Through offices in New York, Los Angeles and Chicago, The Fund serves everyone in film, theater, television, music, opera, radio and dance with programs including social services and emergency financial assistance, health care and insurance counseling, housing, and secondary employment and training services.
StarsInTheHouse #53 Sunday 4 12 8PM Desperate Housewives - YouTube

Here is another
that we could use to momentarily forget about those
things that leave a bad taste in our mouths

#StarsInTheHouse #53 Sunday 4/12 8PM Desperate Housewives

Image result for wash your hands gif
Stay Tuned and Wash Your Hands



Tony Figueroa

Monday, April 13, 2020

This Week in Television History: April 2020 PART II



April 13, 1945
Tony Dow is born in Hollywood, California. 
He was born to John Stevens, a designer and general contractor, and Muriel Virginia Dow (née Montrose) (May 27, 1906–April 30, 2001), a stunt woman in early Westerns and Clara Bow's movie double in Hollywood. In his youth, Dow was a Junior Olympics diving champion. He won the role of Wally Cleaver in a casting call, with almost no previous acting experience.
Dow remained on the series until it ended in 1963. After the run of Leave It to Beaver, he appeared on My Three Sons, Dr. Kildare, Mr. Novak (five episodes in three different roles), The Greatest Show on Earth, and Never Too Young. From 1965 to 1968, Dow served in the National Guard, interrupting his acting career. On his return to acting, he guest-starred in Adam-12, Love American Style, Square Pegs, The Mod Squad, The Hardy Boys and Emergency!
During the 1970s, Dow continued acting while working in the construction business and studying journalism and filmmaking. In 1987, he was honored by the Young Artist Foundation with its Former Child Star "Lifetime Achievement" Award for his role as Wally Cleaver.
Dow's most recent screen appearance was in the 2003 film Dickie Roberts: Former Child Star.
In 1986, he wrote an episode of The New Leave It to Beaver, and in 1989, he made his directorial debut with an episode of The New Lassie, followed by episodes of Get a Life, Harry and the Hendersons, Swamp Thing, Coach, Babylon 5, Crusade, and Star Trek: Deep Space Nine.
Dow also served as the visual effects supervisor for Babylon 5. In 1996, he provided visual effects for the Fox TVM Doctor Who.
Dow attended Van Nuys High School and graduated in 1963, the same year Beaver ended. On June 14, 1969, Dow married Carol M. Marlow. In 1973, they had a son, Christopher T. Dow, before divorcing in 1978.
Dow is currently married to Lauren Shulkind, whom he wed in 1980. They live in the Santa Monica Mountains.
In the 1990s, Dow revealed that he has struggled and was eventually diagnosed with clinical depression. He has since starred in self-help videos chronicling this battle, including "Beating the Blues" (1998).

Dow has become a serious, and respected sculptor, creating abstract bronze sculptures. In his artist statement, he says the following about his work: "The figures are abstract and not meant to represent reality but rather the truth of the interactions as I see and feel them. I find the wood in the hills of Topanga Canyon and each piece evolves from my subconscious. I produce limited editions of nine bronzes using the lost wax process from molds of the original burl sculpture." One of his bronze pieces was on display in the backyard garden of Barbara Billingsley, who played his mother on Leave It to Beaver. Dow was chosen as one of three sculptors to show at the Société Nationale des Beaux-Arts exhibition, in the Carrousel du Louvre, in Paris, France, in December 2008. He represented the United States delegation, which was composed of artists from the Karen Lynne Gallery. His abstract shown at the Louvre was titled, "Unarmed Warrior," a bronze figure of a woman holding a shield.

April 19, 1995
The Oklahoma City bombing was a domestic terrorist bomb attack on the Alfred P. Murrah Federal Building in downtown Oklahoma City
Carried out by Timothy McVeigh and Terry Nichols, the bombing killed 168 people and injured more than 680 others. The blast destroyed or damaged 324 buildings within a 16-block radius, destroyed or burned 86 cars, and shattered glass in 258 nearby buildings, causing at least an estimated $652 million worth of damage. Extensive rescue efforts were undertaken by local, state, federal, and worldwide agencies in the wake of the bombing, and substantial donations were received from across the country. The Federal Emergency Management Agency (FEMA) activated eleven of its Urban Search and Rescue Task Forces, consisting of 665 rescue workers who assisted in rescue and recovery operations.

To quote the Bicentennial Minute, "And that's the way it was".


Stay Tuned


Tony Figueroa