Monday, March 25, 2019

This Week in Television History: March 2019 PART IV

The further we go back in Hollywood history,
the more that fact and legend become intertwined.
It's hard to say where the truth really lies.
Donna Allen-Figueroa


March 26, 1989
Quantum Leap first aired.
Quantum Leap follows the narrative of Dr. Sam Beckett (Bakula), a physicist who has become stuck in the past as a result of a time-travel experiment gone wrong, and his attempts to return to his present, the late 20th century, by altering events in the past for the better, with the aid of a hologram of his friend Admiral Al Calavicci (Stockwell), monitoring him from Sam's present.
In the series premiere, Sam has theorized the ability to travel in one's own lifetime and is the lead scientist of the government-funded Project Quantum Leap, operating from a secret laboratory in New Mexico; Al oversees the project for the government. When Al learns that funding for the project is in danger of being pulled because no demonstrable results have come from the project, Sam takes it upon himself to step into the Quantum Leap accelerator to prove that the project works; unfortunately, he does this well before the project is ready to be demonstrated, and is sent into the past. When Sam gains consciousness, he finds himself suffering from partial amnesia, and is more surprised to find that his appearance to others, including what he sees in the mirror, is not his own face. He finds that Al has come to his aid as a hologram that only Sam can see and hear, as it is tuned to his brainwaves. Al, working with the project's artificial intelligence Ziggy (voiced by Deborah Pratt), determines that Sam must alter an event in the current period he is in so as to re-engage the Quantum Leap process and return home. Al helps Sam overcome some facets of his "Swiss-cheese memory" and provides information on history as it originally happened. He also updates Sam on future events and relates possible outcome-probabilities using a handheld communication device in contact with Ziggy. The device is often temperamental and must be struck a few times as it emits electronic beeping and whirring sounds before the information is revealed. With Al and Ziggy's help, Sam is able to successfully change history, and then leaps out, only to find himself in the life of someone else in a different period of time.
Episodes in the series subsequently follow Sam's reaction to each leap (typically ending the cold open with him uttering "Oh, boy!" on discovering his situation), and then working with Al and Ziggy to figure out his new identity and who he needs to help to "set right what once went wrong" and trigger the next leap. An episode typically ends as a cliffhanger, showing the first few moments of Sam's next leap (along with him again uttering "Oh, boy!" on discovering his situation), which is repeated in the following episode's cold open. Though initially Sam's leaping is believed by Al and the others on the Quantum Leap team to be random, the characters come to believe in later seasons that someone or something is controlling Sam's leaping, and this is a central focus of the show's finale episode, "Mirror Image".
When Sam leaps, his body is physically present in the past, although he appears to others as the person into whom he leaped. In one case, after leaping into a Vietnam veteran who has lost both legs, Sam is still able to walk normally, but appears to others as if he is floating. Sam's body and mind may become jumbled with those into whom he has leaped. In one situation, he leaps into a woman near the end of her pregnancy and feels her birth pains, while in another episode, he leaps into Lee Harvey Oswald and feels an intense pressure to assassinate John F. Kennedy, despite knowing that it is the wrong thing to do. Similarly, the persons into whom Sam has leaped are brought into the future, where they appear as Sam to the others; they are normally kept in an isolated waiting room to prevent them from learning anything about the future, and they return to their own time when Sam leaps.
In most of Sam's leaps, the changes he makes are small on the grand scale, such as saving the life of a person who might otherwise have died, or helping making someone's life better. Selected episodes, however, demonstrate more dramatic effects of his time travels. In one episode, Sam's actions ultimately lead to Al's death prior to the project, and Sam finds himself suddenly aided by a new hologram, "Edward St. John V" (played by Roddy McDowall), and must work to prevent Al's death. In another episode, when again the project's funding is threatened, Sam helps a young woman successfully pass the bar; this results in her becoming one of the members of Congress who oversees the project and aids in the restoration of its funding. In the episode involving Lee Harvey Oswald, while Sam and Al do not prevent the assassination of Kennedy, Sam's actions prevent Oswald from making a second shot that killed Jacqueline Kennedy in the original fictional history.
Because of the time-travel aspect, many episodes allude to famous people or incidents indirectly, such as Sam suggesting to young Donald Trump that New York real estate will be valuable in the future, suggesting the lyrics of "Peggy Sue" to a teenaged Buddy Holly, showing young Michael Jackson his signature moonwalk dance for the first time, giving Dr. Henry Heimlich the idea for his namesake maneuver by saving him from choking, and setting in place actions that lead to the discovery of the Watergate scandal. Two notable episodes place Sam directly at the center of significant historical events, one being the leap into Oswald. In "Goodbye Norma Jean", Sam appears as Marilyn Monroe's bodyguard, who saves her life and convinces Marilyn to remain alive for her starring role in The Misfits. Other episodes explore the past of the main characters, such as Sam saving his brother from being killed in the Vietnam War, and saving Al's marriage to Beth.

In the final episode, "Mirror Image", Sam leaps through spacetime as himself (without replacing another person), arriving at the exact time of his birth, where he meets a mysterious barkeep (Bruce McGill, who also appeared in the first episode in a different role). The barkeep is aware of Sam's situation and assures him that Sam himself controls the very nature and destinations of his leaps ("to make the world a better place"), and that Sam is always able to return home at any time he truly wants. In the final episode's epilogue, Sam is shown to leap back to visit Al's wife Beth as himself again, assuring her that her husband (who was a prisoner of war at the time) will return home to her; this results in Al and Beth remaining happily married in the future, while Sam continues leaping, never returning home.

March 27, 1974
The Rockford Files premier episode. 
The Rockford Files is a television drama series which aired on the NBC network between September 13, 1974 and January 10, 1980. It has remained in regular syndication to the present day. The show stars James Garner as Los Angeles-based private investigator Jim Rockford and features Noah Beery, Jr. as his father, a retired truck driver.
The show was created by Roy Huggins and Stephen J. Cannell. Huggins had created the television show Maverick (1957–1962), which had also starred Garner, and he wanted to try to recapture that magic in a "modern day" detective setting. He teamed with Cannell, who had written for Jack Webb productions such as Adam-12 and Chase (1973–1974, NBC), to create Rockford.
The show was credited as "A Public Arts/Roy Huggins Production" along with Universal Studios and in association with Cherokee Productions. Cherokee was the name of Garner's company, which he ran with partners Meta Rosenberg and Juanita Bartlett, who doubled as story editor during most of Rockford's run.
The series theme by composers Mike Post and Pete Carpenter was released as a single and went to #10 on the Billboard Hot 100, remaining on the chart for 16 weeks. and won a Grammy Award for Best Instrumental Arrangement for 1975.
In 2002, The Rockford Files was ranked #39 on TV Guide's 50 Greatest TV Shows of All Time.
Producers Roy Huggins and Stephen J. Cannell devised the main character to be a rather significant departure from typical television detectives of the time, essentially Maverick as a modern detective. Rockford had served time in California's San Quentin Prison in the 1960s due to a wrongful conviction. After five years, he received a pardon. His infrequent jobs as a private investigator barely allow him to maintain his dilapidated mobile home (which doubles as his office) in a parking lot on the beaches of Malibu, California.
The show's title sequence began with someone leaving a message on Rockford's answering machine, which were still novel in 1974. A different message was heard in each episode. These frequently had to do with creditors to whom Rockford owed money, or deadbeat clients who owed money to him. They were usually unrelated to the rest of the plot. As the series went on, this gimmick became a burden for the show's writers, who had to come up with a different joke every week. Suggestions from staffers and crew were often used.
In contrast to most television private eyes of the time, Rockford wears low-budget "off the rack" clothing and does his best to avoid fights. He rarely carries his Colt Detective Special revolver, for which he does not have a permit, preferring to talk his way out of trouble. He works on cold cases, missing persons investigations, and low-budget insurance scams, and he repeatedly states in the series that he does not handle "open cases" to avoid trouble with the police.
In early episodes of the show's first season, Rockford's trailer is located in a parking lot alongside the highway (address 2354 Pacific Coast Highway) and near the ocean; for the rest of the series, the trailer is at Paradise Cove (address 29 Cove Road), adjacent to a pier and a restaurant ("The Sand Castle", now known as the "Paradise Cove Beach Cafe").
In the series of television movies from 1994 to 1999, Rockford is still living in a trailer, but it has been extensively enlarged and remodeled.
In an interesting piece of homage, the trailer serving as a home for Mel Gibson's "Martin Riggs" character and his girlfriend, shown near the beginning of Lethal Weapon IV, appears to be located at nearly the exact same spot.
The show went into hiatus late in 1979 when Garner was told by his doctors to take time off because of his bad knees and back, as well as an ulcer. He sustained the former conditions largely because of his insistence on performing most of his own stunts, especially those involving fist fights or car chases. Because of his excruciating physical pain, Garner eventually opted not to continue with the show a number of months later, and NBC cancelled the program in mid-season. It was also alleged that Rockford became extremely expensive to produce, mainly due to the extensive location filming and frequent use of high-end actors as guest stars. According to some sources, NBC and Universal claimed the show was generating a deficit of several million dollars, a staggering amount for a nighttime show in those days, although Garner and his production team Cherokee Productions claimed the show always turned a profit.
A pilot for a remake of the series was written and produced for NBC by David Shore in 2010, with Dermot Mulroney playing the title character, but was not picked up by the network due to complaints that it was not written well and the lead was miscast. NBC then gave it to Peter Berg to rewrite and produce. As of January 2011, the project is still in development at NBC.

March 30, 1964
Jeopardy debuted on NBC-TV. 

Jeopardy! is an American television game show created by Merv Griffin. The show features a quiz competition in which contestants are presented with general knowledge clues in the form of answers, and must phrase their responses in the form of questions. The original daytime version debuted on NBC on March 30, 1964, and aired until January 3, 1975. A weekly nighttime syndicated edition aired from September 1974 to September 1975, and a revival, The All-New Jeopardy!, ran on NBC from October 1978 to March 1979. The current version, a daily syndicated show produced by Sony Pictures Television, premiered on September 10, 1984.

Both NBC versions and the weekly syndicated version were hosted by Art FlemingDon Pardo served as announcer until 1975, and John Harlan announced for the 1978–1979 show. Since its inception, the daily syndicated version has featured Alex Trebek as host and Johnny Gilbert as announcer.
With over 7,000 episodes aired, the daily syndicated version of Jeopardy! has won a record 33 Daytime Emmy Awards as well as a Peabody Award. In 2013, the program was ranked No. 45 on TV Guide's list of the 60 greatest shows in American television history. Jeopardy! has also gained a worldwide following with regional adaptations in many other countries. The daily syndicated series' 35th season premiered on September 10, 2018.

March 30, 1994
First episode of Ellen (originally titled These Friends of Mine for season one). 

Ellen, Ellen DeGeneres' popular show about single thirty-somethings in Los Angeles, premieres. The show quickly became one of the country's Top 15 most watched shows and drew even more attention when, in April 1997, the gay title character "came out" to her friends in a high-profile episode featuring cameos by Oprah Winfrey, k.d. lang, Demi Moore, Billy Bob Thornton, and Dwight Yoakum. Some 42 million viewers watched the special hour-long program. Ellen became the first prime-time sitcom to feature a gay leading character. However, the show was not renewed the following season.

To quote the Bicentennial Minute, "And that's the way it was".


Stay Tuned


Tony Figueroa

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