This Week in Television History: March 2019 PART IV

The further we go back in Hollywood history,

the more that fact and legend become intertwined.

It's hard to say where the truth really lies.

Donna Allen-Figueroa

March 26, 1989

Quantum Leap first aired.

Quantum Leap follows the narrative of Dr. Sam Beckett (Bakula), a physicist who has become stuck in the past as a result of a time-travel experiment gone wrong, and his attempts to return to his present, the late 20th century, by altering events in the past for the better, with the aid of a hologram of his friend Admiral Al Calavicci (Stockwell), monitoring him from Sam's present.

In the series premiere, Sam has theorized the ability to travel in one's own lifetime and is the lead scientist of the government-funded Project Quantum Leap, operating from a secret laboratory in New Mexico; Al oversees the project for the government. When Al learns that funding for the project is in danger of being pulled because no demonstrable results have come from the project, Sam takes it upon himself to step into the Quantum Leap accelerator to prove that the project works; unfortunately, he does this well before the project is ready to be demonstrated, and is sent into the past. When Sam gains consciousness, he finds himself suffering from partial amnesia, and is more surprised to find that his appearance to others, including what he sees in the mirror, is not his own face. He finds that Al has come to his aid as a hologram that only Sam can see and hear, as it is tuned to his brainwaves. Al, working with the project's artificial intelligence Ziggy (voiced by Deborah Pratt), determines that Sam must alter an event in the current period he is in so as to re-engage the Quantum Leap process and return home. Al helps Sam overcome some facets of his "Swiss-cheese memory" and provides information on history as it originally happened. He also updates Sam on future events and relates possible outcome-probabilities using a handheld communication device in contact with Ziggy. The device is often temperamental and must be struck a few times as it emits electronic beeping and whirring sounds before the information is revealed. With Al and Ziggy's help, Sam is able to successfully change history, and then leaps out, only to find himself in the life of someone else in a different period of time.

Episodes in the series subsequently follow Sam's reaction to each leap (typically ending the cold open with him uttering "Oh, boy!" on discovering his situation), and then working with Al and Ziggy to figure out his new identity and who he needs to help to "set right what once went wrong" and trigger the next leap. An episode typically ends as a cliffhanger, showing the first few moments of Sam's next leap (along with him again uttering "Oh, boy!" on discovering his situation), which is repeated in the following episode's cold open. Though initially Sam's leaping is believed by Al and the others on the Quantum Leap team to be random, the characters come to believe in later seasons that someone or something is controlling Sam's leaping, and this is a central focus of the show's finale episode, "Mirror Image".

When Sam leaps, his body is physically present in the past, although he appears to others as the person into whom he leaped. In one case, after leaping into a Vietnam veteran who has lost both legs, Sam is still able to walk normally, but appears to others as if he is floating. Sam's body and mind may become jumbled with those into whom he has leaped. In one situation, he leaps into a woman near the end of her pregnancy and feels her birth pains, while in another episode, he leaps into Lee Harvey Oswald and feels an intense pressure to assassinate John F. Kennedy, despite knowing that it is the wrong thing to do. Similarly, the persons into whom Sam has leaped are brought into the future, where they appear as Sam to the others; they are normally kept in an isolated waiting room to prevent them from learning anything about the future, and they return to their own time when Sam leaps.

In most of Sam's leaps, the changes he makes are small on the grand scale, such as saving the life of a person who might otherwise have died, or helping making someone's life better. Selected episodes, however, demonstrate more dramatic effects of his time travels. In one episode, Sam's actions ultimately lead to Al's death prior to the project, and Sam finds himself suddenly aided by a new hologram, "Edward St. John V" (played by Roddy McDowall), and must work to prevent Al's death. In another episode, when again the project's funding is threatened, Sam helps a young woman successfully pass the bar; this results in her becoming one of the members of Congress who oversees the project and aids in the restoration of its funding. In the episode involving Lee Harvey Oswald, while Sam and Al do not prevent the assassination of Kennedy, Sam's actions prevent Oswald from making a second shot that killed Jacqueline Kennedy in the original fictional history.

Because of the time-travel aspect, many episodes allude to famous people or incidents indirectly, such as Sam suggesting to young Donald Trump that New York real estate will be valuable in the future, suggesting the lyrics of "Peggy Sue" to a teenaged Buddy Holly, showing young Michael Jackson his signature moonwalk dance for the first time, giving Dr. Henry Heimlich the idea for his namesake maneuver by saving him from choking, and setting in place actions that lead to the discovery of the Watergate scandal. Two notable episodes place Sam directly at the center of significant historical events, one being the leap into Oswald. In "Goodbye Norma Jean", Sam appears as Marilyn Monroe's bodyguard, who saves her life and convinces Marilyn to remain alive for her starring role in The Misfits. Other episodes explore the past of the main characters, such as Sam saving his brother from being killed in the Vietnam War, and saving Al's marriage to Beth.

In the final episode, "Mirror Image", Sam leaps through spacetime as himself (without replacing another person), arriving at the exact time of his birth, where he meets a mysterious barkeep (Bruce McGill, who also appeared in the first episode in a different role). The barkeep is aware of Sam's situation and assures him that Sam himself controls the very nature and destinations of his leaps ("to make the world a better place"), and that Sam is always able to return home at any time he truly wants. In the final episode's epilogue, Sam is shown to leap back to visit Al's wife Beth as himself again, assuring her that her husband (who was a prisoner of war at the time) will return home to her; this results in Al and Beth remaining happily married in the future, while Sam continues leaping, never returning home.

March 27, 1974

The Rockford Files premier episode. 

The Rockford Files is a television drama series which aired on the NBC network between September 13, 1974 and January 10, 1980. It has remained in regular syndication to the present day. The show stars James Garner as Los Angeles-based private investigator Jim Rockford and features Noah Beery, Jr. as his father, a retired truck driver.

The show was created by Roy Huggins and Stephen J. Cannell. Huggins had created the television show Maverick (1957–1962), which had also starred Garner, and he wanted to try to recapture that magic in a "modern day" detective setting. He teamed with Cannell, who had written for Jack Webb productions such as Adam-12 and Chase (1973–1974, NBC), to create Rockford.

The show was credited as "A Public Arts/Roy Huggins Production" along with Universal Studios and in association with Cherokee Productions. Cherokee was the name of Garner's company, which he ran with partners Meta Rosenberg and Juanita Bartlett, who doubled as story editor during most of Rockford's run.

The series theme by composers Mike Post and Pete Carpenter was released as a single and went to #10 on the Billboard Hot 100, remaining on the chart for 16 weeks. and won a Grammy Award for Best Instrumental Arrangement for 1975.

In 2002, The Rockford Files was ranked #39 on TV Guide's 50 Greatest TV Shows of All Time.

Producers Roy Huggins and Stephen J. Cannell devised the main character to be a rather significant departure from typical television detectives of the time, essentially Maverick as a modern detective. Rockford had served time in California's San Quentin Prison in the 1960s due to a wrongful conviction. After five years, he received a pardon. His infrequent jobs as a private investigator barely allow him to maintain his dilapidated mobile home (which doubles as his office) in a parking lot on the beaches of Malibu, California.

The show's title sequence began with someone leaving a message on Rockford's answering machine, which were still novel in 1974. A different message was heard in each episode. These frequently had to do with creditors to whom Rockford owed money, or deadbeat clients who owed money to him. They were usually unrelated to the rest of the plot. As the series went on, this gimmick became a burden for the show's writers, who had to come up with a different joke every week. Suggestions from staffers and crew were often used.

In contrast to most television private eyes of the time, Rockford wears low-budget "off the rack" clothing and does his best to avoid fights. He rarely carries his Colt Detective Special revolver, for which he does not have a permit, preferring to talk his way out of trouble. He works on cold cases, missing persons investigations, and low-budget insurance scams, and he repeatedly states in the series that he does not handle "open cases" to avoid trouble with the police.

In early episodes of the show's first season, Rockford's trailer is located in a parking lot alongside the highway (address 2354 Pacific Coast Highway) and near the ocean; for the rest of the series, the trailer is at Paradise Cove (address 29 Cove Road), adjacent to a pier and a restaurant ("The Sand Castle", now known as the "Paradise Cove Beach Cafe").

In the series of television movies from 1994 to 1999, Rockford is still living in a trailer, but it has been extensively enlarged and remodeled.

In an interesting piece of homage, the trailer serving as a home for Mel Gibson's "Martin Riggs" character and his girlfriend, shown near the beginning of Lethal Weapon IV, appears to be located at nearly the exact same spot.

The show went into hiatus late in 1979 when Garner was told by his doctors to take time off because of his bad knees and back, as well as an ulcer. He sustained the former conditions largely because of his insistence on performing most of his own stunts, especially those involving fist fights or car chases. Because of his excruciating physical pain, Garner eventually opted not to continue with the show a number of months later, and NBC cancelled the program in mid-season. It was also alleged that Rockford became extremely expensive to produce, mainly due to the extensive location filming and frequent use of high-end actors as guest stars. According to some sources, NBC and Universal claimed the show was generating a deficit of several million dollars, a staggering amount for a nighttime show in those days, although Garner and his production team Cherokee Productions claimed the show always turned a profit.

A pilot for a remake of the series was written and produced for NBC by David Shore in 2010, with Dermot Mulroney playing the title character, but was not picked up by the network due to complaints that it was not written well and the lead was miscast. NBC then gave it to Peter Berg to rewrite and produce. As of January 2011, the project is still in development at NBC.

March 30, 1964

Jeopardy debuted on NBC-TV. 

Jeopardy! is an American television game show created by Merv Griffin. The show features a quiz competition in which contestants are presented with general knowledge clues in the form of answers, and must phrase their responses in the form of questions. The original daytime version debuted on NBC on March 30, 1964, and aired until January 3, 1975. A weekly nighttime syndicated edition aired from September 1974 to September 1975, and a revival, The All-New Jeopardy!, ran on NBC from October 1978 to March 1979. The current version, a daily syndicated show produced by Sony Pictures Television, premiered on September 10, 1984.

Both NBC versions and the weekly syndicated version were hosted by Art Fleming. Don Pardo served as announcer until 1975, and John Harlan announced for the 1978–1979 show. Since its inception, the daily syndicated version has featured Alex Trebek as host and Johnny Gilbert as announcer.

With over 7,000 episodes aired, the daily syndicated version of Jeopardy! has won a record 33 Daytime Emmy Awards as well as a Peabody Award. In 2013, the program was ranked No. 45 on TV Guide's list of the 60 greatest shows in American television history. Jeopardy! has also gained a worldwide following with regional adaptations in many other countries. The daily syndicated series' 35th season premiered on September 10, 2018.

March 30, 1994

First episode of Ellen (originally titled These Friends of Mine for season one). 

Ellen, Ellen DeGeneres' popular show about single thirty-somethings in Los Angeles, premieres. The show quickly became one of the country's Top 15 most watched shows and drew even more attention when, in April 1997, the gay title character "came out" to her friends in a high-profile episode featuring cameos by Oprah Winfrey, k.d. lang, Demi Moore, Billy Bob Thornton, and Dwight Yoakum. Some 42 million viewers watched the special hour-long program. Ellen became the first prime-time sitcom to feature a gay leading character. However, the show was not renewed the following season.

To quote the Bicentennial Minute, "And that's the way it was".

Stay Tuned

Tony Figueroa

This Week in Television History: March 2019 PART III

The further we go back in Hollywood history,

the more that fact and legend become intertwined.

It's hard to say where the truth really lies.

Donna Allen-Figueroa

March 18, 1981

The Greatest American Hero first aired.

The series that aired for three seasons from1981 to 1983 on ABC. Created by producer Stephen J. Cannell, it premiered as a two-hour pilot movie on March 18, 1981. The series features William Katt as teacher Ralph Hinkley ("Hanley" for the latter part of the first season), Robert Culp as FBI agent Bill Maxwell, and Connie Sellecca as lawyer Pam Davidson.

The series chronicles Ralph's adventures after a group of aliens gives him a red suit that grants him superhumanabilities. Unfortunately for Ralph, who hates wearing the suit, he immediately loses its instruction booklet, and thus has to learn how to use its powers by trial and error, often with comical results.

The main character's name was originally Ralph Hinkley, but after the assassination attempt of Ronald Reagan by John Hinckley, Jr. on March 30, 1981, the character's last name was changed to "Hanley". For the rest of the first season, he was either "Ralph" or "Mister H". In the episode where Ralph is given a promotion and his own office space, we see the name "Ralph Hanley" on the door plaque. At the start of season two, the name had changed back to Hinkley. In the season three episode "Live At Eleven", Ralph is given a name tag at a political rally with his last name spelled "Hunkley" and Ralph gives up saying "it's close enough for politics".

To quote the Bicentennial Minute, "And that's the way it was".

Stay Tuned

Tony Figueroa

Your Mental Sorbet: Chuck Todd Highlights a Full House Episode with Lori Loughlin

Here is another "Mental Sorbet" 

A little spark of madness

that we could use to momentarily forget about those

things that leave a bad taste in our mouths

A clip from Full House highlighted by MSNBC's Chuck Todd.

Stay Tuned

Tony Figueroa

This Week in Television History: March 2019 PART II

The further we go back in Hollywood history,

the more that fact and legend become intertwined.

It's hard to say where the truth really lies.

Donna Allen-Figueroa

March 11, 1989

COPS debuts on Fox. 

The hit reality-based television show COPS premieres on the Fox television network, and audiences hear the reggae beat of its distinctive theme song, Inner Circle's "Bad Boys," for the very first time.

Created by the producing team of John Langley and Malcolm Barbour, COPS placed cameras and production crews in the car with real patrol officers around the country as they went on raids and did whatever was necessary to catch the perpetrators of various drug-related crimes. The pilot episode, like the rest of that debut season, was based in Broward County, Florida, and followed members of the Broward County Sheriff's Office. The actor Burt Lancaster provided the voice-over for the pilot episode, but the rest of the show, shot documentary-style, was not accompanied by any narration.

At the time, Fox was only a fledgling television network, having launched in October 1986. The network took a chance on COPS after other major networks passed on it, leaping on Langley and Barbour's idea in the middle of a five-month-long strike by the Writers Guild of America (WGA) during the summer of 1988. A reality-based show was ideal for the network at the time, as it would require no writers and was relatively inexpensive to produce.

COPS surprised the industry by becoming a hit; it is now one of the longest-running TV shows in history, with more than 700 episodes airing between 1989 and 2008. Its success spawned an entire new genre of reality programming that would gain traction during the 1990s and become a major cultural phenomenon by the next decade. Like any touchstone of popular culture, COPS has inspired numerous imitators--including the John Langley-produced series Jail and Street Patrol--and has been parodied extensively, most notably by the Comedy Central series Reno 911!

In February 2008, producers released a special two-disc DVD set to celebrate the 20th anniversary of COPS.

March 12, 1974

Wonder Woman debuted on ABC-TV. 

The show later went to CBS-TV.

Wonder Woman's first broadcast appearance in live-action television was a television movie made in 1974 for ABC. Written by John D. F. Black, the TV movie resembles the Wonder Woman of the "I Ching" period. Wonder Woman (Cathy Lee Crosby) did not wear the comic-book uniform, demonstrated no apparent super-human powers, had a "secret identity" of Diana Prince that was not all that secret, and she was also depicted as blonde (differing from the brunette image established in the comic books). This 1974 film follows Wonder Woman, assistant to government agent Steve Trevor (Kaz Garas) as she pursues a villain named Abner Smith (Ricardo Montalban) who has stolen a set of code books containing classified information about U.S. government field agents. Along the way, she has to outwit Smith's chief assistants: the handsome yet dangerous George (Andrew Prine) and a rogue Amazon, Angela (Anitra Ford), who Smith has taken on as a bodyguard; a brief duel between Wonder Woman and Angela is the film's only significant action sequence, which occurs during the final third of the story.

March 16, 1949

Henry Enrique "Erik" Estrada is born. 

Actor and reserve police officer, known for his co-starring lead role in the 1977–1983 United States police television series CHiPs. He later became known for his work in Spanish language telenovelas, and in more recent years, his appearances in reality television shows and infomercials and as a regular voice on the Adult Swim series Sealab 2021.

To quote the Bicentennial Minute, "And that's the way it was".

Stay Tuned

Tony Figueroa

Your Mental Sorbet: Jan Michael Vincent interview

I never thought about being the highest paid.
I just wanted to be someone that people cared about watching,
and I feel I'm a good actor.
Jan-Michael Vincent

Here is another "Mental Sorbet" 

A little spark of madness

that we could use to momentarily forget about those

things that leave a bad taste in our mouths

Jan Michael Vincent interviewed by Paul Rodriguez on The Late Show in 1987. The Late Show talk show aired on FOX, but I found no mention of Rodriquez being a permanent host.

Cheech Marin is also here. All three are in the film BORN in EAST L.A.. Everyone is having a great time during the interview and toward the end Jan-Michael Vincent joins the band, plays bass and sings NYQUIL BLUES.

Stay Tuned

Tony Figueroa

Your Mental Sorbet: Luke Perry on Letterman

I always felt like something of an outsider.

But I identified with people up on the screen.

That made me feel like I wanted to be up on the screen too.

I felt like eventually I would get there.

Luke Perry

Coy Luther Perry III
October 11, 1966 – March 4, 2019

Here is another "Mental Sorbet" 

A little spark of madness

that we could use to momentarily forget about those

things that leave a bad taste in our mouths

Stay Tuned

Tony Figueroa

This Week in Television History: March 2019 PART I

The further we go back in Hollywood history,

the more that fact and legend become intertwined.

It's hard to say where the truth really lies.

Donna Allen-Figueroa

March 4, 1994

John Candy dies. 

The larger-than-life comedic star John Candy dies suddenly of a heart attack on this day in 1994, at the age of 43. At the time of his death, he was living near Durango, Mexico, while filming Wagons East, a Western comedy co-starring the comedian Richard Lewis.

Born in 1950, Candy's first professional acting work was in children's theater in his native Canada. In 1972, he was accepted into the prestigious Second City comedy troupe in Toronto, where he would become a regular writer and performer for the group's television program, SCTV, alongside other rising comics like Eugene Levy (later Candy's co-star in Splash) and Harold Ramis (Ghostbusters). When SCTV moved to network television in 1981, Candy moved with it; that year and the next, he won Emmy Awards for writing for the show. Candy's recurring (and most famous) SCTV persona was Yosh Shmenge, a clarinet player in a polka band. He would reprise the character in a mock documentary, The Last Polka, on HBO in 1985 and would also play a polka musician in the smash hit Home Alone (1990).
Candy made his big break into movies with Splash (1984), in which he stole most of his scenes as the idle, high-living brother of the main character, played by Tom Hanks. The film, directed by Ron Howard, was a smash hit, jump-starting the careers of Candy, Hanks, Darryl Hannah and Levy. In one particularly memorable scene, Candy throws himself with abandon around a racquetball court, using his hefty frame to full comedic effect. Six-foot-three and weighing as much as 275 pounds, he struggled with dieting over the years, but his heft undoubtedly contributed to his success as a comic performer.
After Splash, Candy was in high demand as a lovable oaf. He starred in a number of box-office hits over the next 10 years, including Spaceballs (1987), and collaborations with the writer, producer and director John Hughes in Planes, Trains and Automobiles (1987), The Great Outdoors (1988) and Uncle Buck (1989). A devoted sports fan and co-owner of the Toronto Argonauts of the Canadian Football League, he was also part owner of House of Blues, with the actors Dan Aykroyd and Jim Belushi. In 1993, Candy won praise for his role as the sensitive coach of an unlikely Jamaican bobsled team in Cool Runnings (1993).
At the time of his death, Candy had just completed his directorial debut, the Fox Television movie comedy Hostage for a Day. He had performed two-thirds of his scenes in Wagons East, which was finished after the filmmakers' insurance company paid a reported $15 million settlement. Another recently wrapped movie, Canadian Bacon, was released in 1995. Candy was survived by his wife, Rosemary, and their two children, Jennifer and Christopher.

March 8th, 1974

The last episode ofThe Brady Bunch aired

"The Hair-Brained Scheme"

Bobby is convinced he can get rich by selling Neat & Natural Hair Tonic. Bobby sells Greg a container which turns Greg's hair bright orange on the eve of his high school commencement. Greg is forced to go to the beauty parlor and dye his hair back before going to graduation.

Note: Robert Reed does not appear in this episode, due to dispute over the story involving the non-FDA approved bottle of hair tonic, which he thought was inane slapstick. After Reed wrote a large memo to the staff and Paramount, Sherwood Schwartz wrote him out of the episode.

March 9, 1954

Edward R. Murrow See it Now

"A Report on Senator Joseph R. McCarthy"

Edward R. Murrow may not have scored the first blow against Joseph McCarthy, but he landed a decisive one. For that, he always will be linked inextricably with the Wisconsin senator, and remembered by Americans as a champion of liberty and democracy. As early as 1950, Murrow observed on the air that "the weight of the public testimony has tended to show that so far, Senator McCarthy's charges [againstsuspected communist subversives] are unproven." On March 9, 1954, Murrow, then the most respected journalist in America, engaged in a tough exposé of the senator and his tactics; the last paragraphs of his presentation are indelibly etched into our history as is the rhetoric of McCarthy himself. In the interest of the “fairness doctrine,” McCarthy was given an equal amount of time for a rebuttal, which he delivered in his classic acerbic style on April 6, 1954. This was the beginning of McCarthy’s downfall.

March 9, 1959

The International Toy Fair in New York premiered Barbie. 

That event was followed by 50 years of Barbie commercials during Saturday morning cartoons. 

To quote the Bicentennial Minute, "And that's the way it was".

Stay Tuned

Tony Figueroa