The further we go back in Hollywood history,
the more that fact and legend become intertwined.
It's hard to say where the truth really lies.
Donna Allen-Figueroa
|
March 26, 1989
Quantum Leap first aired.
Quantum Leap follows the narrative
of Dr. Sam Beckett (Bakula), a physicist who has become stuck in the past as a
result of a time-travel experiment gone wrong, and his attempts to return to
his present, the late 20th century, by altering events in the past for the
better, with the aid of a hologram of his friend Admiral Al Calavicci
(Stockwell), monitoring him from Sam's present.
In
the series premiere, Sam has theorized the ability to travel in one's own
lifetime and is the lead scientist of the government-funded Project Quantum
Leap, operating from a secret laboratory in New Mexico; Al oversees the project
for the government. When Al learns that funding for the project is in danger of
being pulled because no demonstrable results have come from the project, Sam
takes it upon himself to step into the Quantum Leap accelerator to prove that
the project works; unfortunately, he does this well before the project is ready
to be demonstrated, and is sent into the past. When Sam gains consciousness, he
finds himself suffering from partial amnesia, and is more surprised to
find that his appearance to others, including what he sees in the mirror, is
not his own face. He finds that Al has come to his aid as a hologram that only
Sam can see and hear, as it is tuned to his brainwaves. Al, working with the
project's artificial intelligence Ziggy (voiced by Deborah Pratt), determines that Sam must
alter an event in the current period he is in so as to re-engage the Quantum
Leap process and return home. Al helps Sam overcome some facets of his
"Swiss-cheese memory" and provides information on history as it
originally happened. He also updates Sam on future events and relates possible
outcome-probabilities using a handheld communication device in contact with
Ziggy. The device is often temperamental and must be struck a few times as it
emits electronic beeping and whirring sounds before the information is
revealed. With Al and Ziggy's help, Sam is able to successfully change history,
and then leaps out, only to find himself in the life of someone else in a
different period of time.
Episodes
in the series subsequently follow Sam's reaction to each leap (typically ending
the cold
open with
him uttering "Oh, boy!" on discovering his situation), and then
working with Al and Ziggy to figure out his new identity and who he needs to
help to "set right what once went wrong" and trigger the next
leap. An episode typically ends as a cliffhanger, showing the first few
moments of Sam's next leap (along with him again uttering "Oh, boy!"
on discovering his situation), which is repeated in the following episode's
cold open. Though initially Sam's leaping is believed by Al and the others on
the Quantum Leap team to be random, the characters come to believe in later
seasons that someone or something is controlling Sam's leaping, and this is a
central focus of the show's finale episode, "Mirror Image".
When
Sam leaps, his body is physically present in the past, although he appears to
others as the person into whom he leaped. In one case, after leaping into
a Vietnam
veteran who
has lost both legs, Sam is still able to walk normally, but appears to others
as if he is floating. Sam's body and mind may become jumbled with those into
whom he has leaped. In one situation, he leaps into a woman near the end of her
pregnancy and feels her birth pains, while in another episode, he leaps
into Lee Harvey Oswald and feels an intense pressure to assassinate John F. Kennedy, despite knowing that it
is the wrong thing to do. Similarly, the persons into whom Sam has leaped are
brought into the future, where they appear as Sam to the others; they are
normally kept in an isolated waiting room to prevent them from learning
anything about the future, and they return to their own time when Sam leaps.
In
most of Sam's leaps, the changes he makes are small on the grand scale, such as
saving the life of a person who might otherwise have died, or helping making
someone's life better. Selected episodes, however, demonstrate more dramatic
effects of his time travels. In one episode, Sam's actions ultimately lead to
Al's death prior to the project, and Sam finds himself suddenly aided by a new
hologram, "Edward St. John V" (played by Roddy McDowall), and must work to prevent
Al's death. In another episode, when again the project's funding is threatened,
Sam helps a young woman successfully pass the bar; this results in her becoming one of the members
of Congress who oversees the project and aids in the restoration of its
funding. In the episode involving Lee Harvey Oswald, while Sam and Al do not
prevent the assassination of Kennedy, Sam's actions prevent Oswald from making a
second shot that killed Jacqueline Kennedy in the original fictional history.
Because
of the time-travel aspect, many episodes allude to famous people or incidents
indirectly, such as Sam suggesting to young Donald Trump that New York real
estate will be valuable in the future, suggesting the lyrics of "Peggy Sue" to a teenaged Buddy Holly, showing young Michael Jackson his signature moonwalk dance for the first
time, giving Dr. Henry Heimlich the idea for
his namesake maneuver by saving him from choking, and setting in place actions
that lead to the discovery of the Watergate scandal. Two notable episodes place Sam directly at the center of significant
historical events, one being the leap into Oswald. In "Goodbye Norma
Jean", Sam appears as Marilyn Monroe's bodyguard, who saves her
life and convinces Marilyn to remain alive for her starring role in The Misfits. Other episodes explore
the past of the main characters, such as Sam saving his brother from being
killed in the Vietnam
War, and
saving Al's marriage to Beth.
In
the final episode, "Mirror Image", Sam leaps through spacetime as
himself (without replacing another person), arriving at the exact time of his
birth, where he meets a mysterious barkeep (Bruce McGill, who also appeared in the
first episode in a different role). The barkeep is aware of Sam's situation and
assures him that Sam himself controls the very nature and destinations of his
leaps ("to make the world a better place"), and that Sam is always
able to return home at any time he truly wants. In the final episode's
epilogue, Sam is shown to leap back to visit Al's wife Beth as himself again,
assuring her that her husband (who was a prisoner of war at the time) will
return home to her; this results in Al and Beth remaining happily married in
the future, while Sam continues leaping, never returning home.
March 27, 1974
The Rockford Files premier
episode.
The Rockford Files is a television drama series which aired on
the NBC
network between September 13, 1974 and January 10, 1980. It has remained in
regular syndication to the present day. The show stars James Garner as Los Angeles-based private
investigator Jim Rockford and features
Noah Beery,
Jr. as his father, a retired truck
driver.
The show was created by Roy Huggins and Stephen J.
Cannell. Huggins had created the
television show Maverick (1957–1962), which had also starred Garner, and he
wanted to try to recapture that magic in a "modern day" detective
setting. He teamed with Cannell, who had written for Jack Webb productions such as Adam-12 and Chase (1973–1974, NBC), to create Rockford.
The show was credited as "A Public Arts/Roy
Huggins Production" along with Universal Studios and in association with Cherokee Productions.
Cherokee was the name of Garner's company, which he ran with partners Meta Rosenberg and Juanita Bartlett, who doubled as story editor during most of Rockford's
run.
The series theme by composers Mike Post and Pete Carpenter was released as a single and went to #10 on the Billboard Hot 100, remaining on the chart for 16 weeks. and won a Grammy Award for Best Instrumental Arrangement for 1975.
In 2002, The Rockford Files was ranked #39 on TV Guide's 50 Greatest TV Shows of All Time.
Producers Roy Huggins and Stephen J. Cannell devised
the main character to be a rather significant departure from typical television
detectives of the time, essentially Maverick as a modern detective. Rockford had served time in
California's San
Quentin Prison in the 1960s due to a
wrongful conviction. After five years, he received a pardon. His infrequent
jobs as a private investigator barely allow him to maintain his dilapidated mobile home (which doubles as his office) in a parking lot on the
beaches of Malibu,
California.
The show's title sequence began with someone leaving a
message on Rockford's answering machine, which were still novel in 1974. A
different message was heard in each episode. These frequently had to do with
creditors to whom Rockford owed money, or deadbeat clients who owed money to
him. They were usually unrelated to the rest of the plot. As the series went
on, this gimmick became a burden for the show's writers, who had to come up
with a different joke every week. Suggestions from staffers and crew were often
used.
In contrast to most television private eyes of the
time, Rockford wears low-budget "off the rack" clothing and does his
best to avoid fights. He rarely carries his Colt
Detective Special revolver, for which
he does not have a permit, preferring to talk his way out of trouble. He works
on cold
cases, missing persons investigations,
and low-budget insurance scams, and he repeatedly states in the series that he
does not handle "open cases" to avoid trouble with the police.
In early episodes of the show's first season,
Rockford's trailer is located in a parking lot alongside the highway (address
2354 Pacific Coast Highway) and near the ocean; for the rest of the series, the
trailer is at Paradise Cove (address 29 Cove Road), adjacent to a pier and a
restaurant ("The Sand Castle", now known as the "Paradise Cove
Beach Cafe").
In the series of television movies from 1994 to 1999,
Rockford is still living in a trailer, but it has been extensively enlarged and
remodeled.
In an interesting piece of homage, the trailer serving
as a home for Mel Gibson's "Martin Riggs" character and his
girlfriend, shown near the beginning of Lethal Weapon IV, appears to be located
at nearly the exact same spot.
The show went into hiatus late in 1979 when Garner was
told by his doctors to take time off because of his bad knees and back, as well
as an ulcer. He sustained the former conditions largely because of his
insistence on performing most of his own stunts, especially those involving
fist fights or car chases. Because of his excruciating physical pain, Garner
eventually opted not to continue with the show a number of months later, and
NBC cancelled the program in mid-season. It was also alleged that Rockford
became extremely expensive to produce, mainly due to the extensive location
filming and frequent use of high-end actors as guest stars. According to some
sources, NBC and Universal claimed the show was generating a deficit of several
million dollars, a staggering amount for a nighttime show in those days,
although Garner and his production team Cherokee Productions claimed the show
always turned a profit.
A pilot for a remake of the series was written and
produced for NBC by David Shore in 2010, with Dermot Mulroney playing the title character, but was not picked up by
the network due to complaints that it was not written well and the lead was
miscast. NBC then gave it to Peter Berg to rewrite and produce. As of January 2011, the
project is still in development at NBC.
March 30, 1964
Jeopardy debuted on
NBC-TV.
Jeopardy! is an American television game show created by Merv Griffin. The show features a quiz competition in which contestants are presented with general knowledge clues in the form of answers, and must phrase their responses in the form of questions. The original daytime version debuted on NBC on March 30, 1964, and aired until January 3, 1975. A weekly nighttime syndicated edition aired from September 1974 to September 1975, and a revival, The All-New Jeopardy!, ran on NBC from October 1978 to March 1979. The current version, a daily syndicated show produced by Sony Pictures Television, premiered on September 10, 1984.
Both
NBC versions and the weekly syndicated version were hosted by Art
Fleming. Don Pardo served as announcer until 1975, and John Harlan announced for the
1978–1979 show. Since its inception, the daily syndicated version has
featured Alex Trebek as host and Johnny
Gilbert as announcer.
With
over 7,000 episodes aired, the daily syndicated version of Jeopardy! has
won a record 33 Daytime Emmy Awards as well as a Peabody
Award. In 2013, the program was ranked No. 45 on TV Guide's
list of the 60 greatest shows in American television history. Jeopardy! has
also gained a worldwide following with regional adaptations in many
other countries. The daily syndicated series' 35th season premiered on
September 10, 2018.
March 30, 1994
First episode of Ellen (originally titled These Friends of Mine for season
one).
Ellen, Ellen DeGeneres' popular show about single thirty-somethings in Los Angeles, premieres. The show quickly became one of the country's Top 15 most watched shows and drew even more attention when, in April 1997, the gay title character "came out" to her friends in a high-profile episode featuring cameos by Oprah Winfrey, k.d. lang, Demi Moore, Billy Bob Thornton, and Dwight Yoakum. Some 42 million viewers watched the special hour-long program. Ellen became the first prime-time sitcom to feature a gay leading character. However, the show was not renewed the following season.
To quote the Bicentennial Minute, "And that's the way it was".
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I represent the first generation who, when we were born, the television was now a permanent fixture in our homes. When I was born people had breakfast with Barbara Walters, dinner with Walter Cronkite, and slept with Johnny Carson. Read the full "Pre-ramble"
Monday, March 25, 2019
This Week in Television History: March 2019 PART IV
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