This Week in Television History: July 2024 PART III

   

July 15, 1964

The Universal Studio Tour opened.

The Tour is the signature attraction at the park, and goes into a working movie studio, with various film and Television sets on the lot. In recent years, guests have sat in multi-car trams for the duration of the ride. The Tour lasts about 45–50 minutes and is led by a live tour guide who can be seen throughout the tram on video screens. It travels through the Front Lot, Backlot and various attractions, passing sets and props from movies along the way.

From the beginning, Universal had offered tours of its studio. After Carl Laemmle opened Universal City on March 14, 1915, he would later invite the general public to see all the action for an admission fee of just $0.05, which also included a lunch box containing chicken inside. There was also a chance to buy fresh produce, since then-rural Universal City was still in part a working farm. This original tour was discontinued in around 1930, due to the advent of sound films coming to Universal.

Ironically, the modern Universal Studio Tour was initially reborn as a way to sell more lunches in the Studio Commissary.  The late 50’s and early 60’s were a difficult time for Hollywood studios. The arrival of television had weakened movie attendance and more and more productions were going on location to save costs. The grand old movie back lots were quickly becoming a thing of the past.  In the mid 1950’s, Universal began letting bus companies drive on to the property (the same bus companies that offered guided tours of the homes of Hollywood stars) as a way to increase revenues. The studio charged the bus companies a small fee and also benefited from the extra lunches they could sell to the tourists in the Studio Commissary. The bus drivers were given a hand-typed script to read that highlighted the studio facilities as well as hyped upcoming Universal releases like Bonzo Goes to College and Monster on the Campus.

When MCA purchased Universal in the late 1950’s, they began to look for a way to revive the old Studio Tour as part of a new image for Universal City Studios. In 1963 legendary movie mogul Lew Wasserman, then president of MCA/Universal, asked Vice President Al Dorskind to look into the feasibility of creating a permanent tour. 

The modern tour was established to include a series of dressing room walk-throughs, peeks at actual production, and later, staged events. This grew over the years into a full-blown theme park.

The Universal Studio Tour at that time consisted of two trams and a handful of eager young tour guides; including John Ford III (grandson of famous western director John Ford) and Dan Milland (son of Academy Award winning actor Ray Milland). The early tour was 90 minutes and included a stop off at the studio commissary for lunch and a make-up show (presented by Mike Westmore of the famous Westmore family of make-up artists) held in the commissary basement. 38,184 guests rode the Universal Studio Tour in its first year.

July 19, 1989

Rebecca Shaeffer (age 21) is murdered at her Los Angeles home by Robert John Bardo, a mentally unstable man who had been stalking her. Schaeffer’s death helped lead to the passage in California of legislation aimed at preventing stalking.

Schaeffer was born November 6, 1967, in Eugene, Oregon. She worked as a teenage model and had a short stint on the daytime soap opera One Life to Live, but was best known for co-starring with Pam Dawber in the television sitcom My Sister Sam. Bardo, born in 1970, had written Schaeffer letters and unsuccessfully tried to gain access to the set of My Sister Sam, before showing up at her apartment on July 19, 1989. The obsessed fan had reportedly obtained the actress’s home address through a detective agency, which located it through records at the California Department of Motor Vehicles. On the day of the murder, Schaeffer reportedly complied with Bardo’s request for an autograph when he appeared at her home and then asked him to leave. He returned a short time later and the actress, who reportedly was waiting for someone to deliver a script, answered the door again. Bardo then shot and killed her.

Arrested the next day in Tucson, Arizona, Bardo was later prosecuted by the Los Angeles County district attorney Marcia Clark, who later became famous as a prosecutor in the O.J. Simpson trial. In 1991, Bardo was convicted of capital murder and sentenced to life in prison without the possibility of parole. In 1994, California passed the Driver’s Privacy Protection Act, which prevented the Department of Motor Vehicles from releasing private addresses.

The 2002 film Moonlight Mile, loosely inspired by Schaeffer’s story, was written and directed by Brad Silberling, who had been dating the young actress at the time of her death.

July 20, 1969

Apollo 11 was the first manned mission to land on the Moon. 

The first steps by humans on another planetary body were taken by Neil Armstrong and Buzz Aldrin. The astronauts also returned to Earth the first samples from another planetary body. Apollo 11 achieved its primary mission - to perform a manned lunar landing and return the mission safely to Earth - and paved the way for the Apollo lunar landing missions to follow.

July 21, 1924

Jesse Donald "Don" Knotts is born. 

The comedic actor best known for his portrayal of Barney Fife on the 1960s television sitcom The Andy Griffith Show (a role which earned him five Emmy Awards), and as landlord Ralph Furley on the television sitcom Three’s Company in the 1980.

In Solidarity 

Tony Figueroa

Norman Lloyd

I imagine I was supposed to become a lawyer or something. But this was the Depression; the lawyers I saw were all driving cabs. So I thought, 'Well, if I'm going to be badly off anyway, I might as well be badly off in the theater, where you get used to it.' 

Norman Lloyd

Norman Lloyd

November 8, 1914 – May 11, 2021

Norman Lloyd was born Norman Perlmutter on November 8, 1914, in Jersey City, New Jersey. His family was Jewish and lived in Brooklyn, New York. His father, Max Perlmutter (1890–1945), was an accountant who later became a salesman and proprietor of a furniture store. His mother, Sadie Horowitz Perlmutter (1892–1987), was a bookkeeper and housewife. She had a good voice and a lifelong interest in the theatre, and she took her young son to singing and dancing lessons. He had two sisters, Ruth (1918–1962) and Janice (b. 1923). Lloyd became a child performer, appearing at vaudeville benefits and women's clubs, and was a professional by the age of nine.

Lloyd graduated from high school when he was 15 and began studies at New York University, but left at the end of his sophomore year. "All around me I could see the way the Depression was affecting everyone; for my family, for people in business like my father, it was a terrible time," he wrote. "I just wasn't going to stay in college, paying tuition to get a degree to be a lawyer, when I could see lawyers that had become taxi drivers." Lloyd's father died in 1945, at age 55, "broken by the world that he was living in."

In 1932, at age 17, Lloyd auditioned and became the youngest of the apprentices under the direction of May Sarton at Eva Le Gallienne's Civic Repertory Theatre in New York City. He then joined Sarton's Apprentice Theatre in New Hampshire, continuing his studies with her and her associate, Eleanor Flexner. The group rehearsed a total of ten modern European plays and performed at The New School for Social Research and in Boston. Members of the Harvard Dramatic Club saw Lloyd on stage and offered him the lead in a play directed by Joseph Losey. He rejoined Sarton's group, for whom Losey directed a Boston production of Gods of the Lightning. When Sarton was forced to give up her company, Losey suggested that Lloyd audition for a production of André Obey's Noah (1935). It was Lloyd's first Broadway show.

Through Losey, Lloyd became involved in the social theatre of the 1930s, beginning with an acting collective called The Theatre of Action. The group was preparing a production of Michael Blankfort's The Crime (1936), directed by Elia Kazan. One of the company members was actress Peggy Craven, who became Lloyd's wife.

Losey brought Lloyd into the Federal Theatre Project — which Lloyd called "one of the great theaters of all time"^]— and its Living Newspapers, which dramatized contemporary events. They initially prepared Ethiopia, about the Italian invasion, which was deemed too controversial and was terminated. The first completed presentation was Triple-A Plowed Under (1936), followed by Injunction Granted (1936) and Power (1937).

When Orson Welles and John Houseman left the Federal Theatre Project to form their own independent repertory theatre company, the Mercury Theatre, Lloyd was invited to become a charter member. He played a memorable role in its first stage production, Caesar (1937), Welles's modern-dress adaptation of Shakespeare's tragedy Julius Caesar — streamlined into an anti-fascist tour- de-force. In a scene that became the fulcrum of the show, Cinna the Poet (Lloyd) dies at the hands not of a mob but of a secret police force. Lloyd called it "an extraordinary scene [that] gripped the audience in a way that the show stopped for about three minutes. The audience stopped it with applause. It showed the audience what fascism was; rather than an intellectual approach, you saw a physical one."

The Mercury prepared The Shoemaker's Holiday to go into repertory with Caesar beginning in January 1938. During the December 25 performance of Caesar — when the sets, lighting, and costumes for Shoemaker were ready but no previews had taken place — Welles asked the cast if they cared to present a surprise preview immediately after the show. He invited the audience to stay and watch the set changes, and the curtain rose at 1:15 a.m. Lloyd recalled it as "the wildest triumph imaginable. The show was a smash during its run — but never again did we have a performance like that one."

Lloyd played the role of Johnny Appleseed in Everywhere I Roam (1938), a play by Arnold Sundgaard that was developed by the Federal Theatre Project and staged on Broadway by Marc Connelly. "It was a lovely experience, although the play failed," Lloyd recalled. "For me, it was a success; in those days, before the Tony Awards, the critics' Ten Best Performers list at the end of the year was the greatest recognition. For my performance, I was selected to be on the list by the critics." Lloyd performed on the first of four releases in the Mercury Text Records series, phonographic recordings of Shakespeare plays adapted for educators by Welles and Roger Hill. The Merchant of Venice features Lloyd in the roles of Salanio and Launcelot Gobbo. Released on Columbia Masterworks Records in 1939, the recording was reissued on CD in 1998.

In late summer 1939, Lloyd was invited to Hollywood, to join Welles and other Mercury Theatre members in the first film being prepared for RKO Pictures — Heart of Darkness. Given a six-week guarantee at $500 a week, he took part in a reading for the film, which was to be presented entirely through a first-person camera. After elaborate pre-production the project never reached production because Welles was unable to trim $50,000 from its budget, something RKO insisted upon as its revenue was declining sharply in Europe by autumn 1939. Welles asked the actors to stay a few more weeks as he put together another film project, but Lloyd was ill-advised by a member of the radio company and impulsively returned to New York. "Those who stayed did Citizen Kane," Lloyd wrote. "I have always regretted it.

"Lloyd later returned to Hollywood to play a Nazi spy in Alfred Hitchcock's Saboteur (1942), beginning a long friendship and professional association with Hitchcock. Three years later he was cast by French director Jean Renoir to portray the malicious, dull-witted character Finley in The Southerner, which was the fourth film of six productions that Renoir directed in the 1940s while living in the United States. After a few more villainous screen roles, Lloyd then worked behind the camera as an assistant on Lewis Milestone's Arch of Triumph (1948). A friend of John Garfield, Lloyd performed with him in the 1951 film noir crime drama He Ran All the Way, Garfield's last film before the Hollywood blacklist ended his film career.

A marginal victim of the Hollywood blacklist, Lloyd was rescued professionally by Hitchcock, who had previously cast the actor in Saboteur and Spellbound (1945). Hitchcock hired Lloyd as an associate producer and a director on his television series Alfred Hitchcock Presents in 1958. Previously, Lloyd directed the sponsored film A Word to the Wives (1955) with Marsha Hunt and Darren McGavin. He continued directing and producing episodic television throughout the 1960s and 1970s. He took an unusual role in the Night Gallery episode "A Feast of Blood" as the bearer of a cursed brooch, which he inflicts upon a hapless woman, played by Sondra Locke, who had spurned his romantic advances. In FM (1978), Lloyd has a small but pivotal role as the owner of a Los Angeles radio station that is undergoing a mutiny of sorts, due to a battle over advertising. Lloyd's character (Carl Billings) ends up playing the white hat role and keeping the station as is, to the delight of staff and fans.

In the 1980s, Lloyd played Dr. Daniel Auschlander in the television drama St. Elsewhere over its six-season run (1982–88). Originally scheduled for only four episodes, Lloyd became a regular for the rest of the series. In addition to Ed Flanders and William Daniels, St. Elsewhere included a roster of relative unknowns, including Ed Begley, Jr., Denzel Washington, Stephen Furst, Eric Laneuville, David Morse, and Howie Mandel.

Lloyd's first film role in nearly a decade was in Dead Poets Society (1989), playing Mr. Nolan, the authoritative headmaster of Welton Academy, opposite Robin Williams. Initially, Lloyd was hesitant when asked to audition, because he thought the director and producers could judge whether or not he was right for the part by watching his acting on St. Elsewhere. Director Peter Weir was living in Australia and had not seen St. Elsewhere. Lloyd agreed to audition for him after winning his daily tennis match.

From 1998 to 2001, he played Dr. Isaac Mentnor in the UPN science fiction drama Seven Days. His numerous television guest-star appearances include The Joseph Cotten Show; Murder, She Wrote; The Twilight Zone; Wiseguy; Star Trek: The Next Generation; Wings; The Practice; and Civil Wars.

He played in various radio plays for Peggy Webber's California Artists Radio Theater and Yuri Rasovsky's Hollywood Theater of the Ear. His last film role was in Trainwreck (2015) which he acted in at the age of 99, although he admitted he was slightly put off by the film's raunchy content. He is the subject of the documentary Who Is Norman Lloyd?, which premiered at the Sundance Film Festival on September 1, 2007. In 2010, he guest-starred in an episode of ABC's Modern Family. On December 5, 2010, he presented An Evening with Norman Lloyd at the Colony Theatre in Burbank, California, where he spoke about his career and answered questions from the audience.

Good Night Mr. Lloyd

Stay Tuned

Tony Figueroa

Your Mental Sorbet: Live: Universal Studios Reopening + Rides - Live Stream - 4-17-21 - First Weekend Tour!

 

Your Mental Sorbet: Universal Tram - SNL

Here is another

"Mental Sorbet"

A little spark of madness

that we could use to momentarily forget about those

things that leave a bad taste in our mouths

A tour guide (Mikey Day) has a hard time controlling his jittery trainee (Dan Levy).

#SNL #DanLevy

Stay Tuned and Wash Your Hands 

Tony Figueroa

Your Mental Sorbet: Back to the Future Part II Behind the Scenes Special Presentation (1989)

Here is another "Mental Sorbet" 

A little spark of madness

that we could use to momentarily forget about those

things that leave a bad taste in our mouths

Leslie Nielsen hosts a night dedicated to Back To The Future including an airing of the first movie and a sneek peak of Back To The Future Part II. This show features director Robert Zemeckis saying that hoverboards were real.

Stay Tuned

Tony Figueroa

Your Mental Sorbet: Studio Tram Tour with King Kong Encounter

Here is another "Mental Sorbet" 

A little spark of madness

that we could use to momentarily forget about those

things that leave a bad taste in our mouths

Virtual Recreation of a Hollywood Studio Tram Tour featuring famous attractions inspired by Universal Theme Parks like:

- The Parting of the Red Sea

- The Collapsing Bridge

- King Kong Encounter

Stay Tuned

Tony Figueroa

This Week in Television History: August 2017 PART I

As always, the further we go back in Hollywood history,
the more that fact and legend become intertwined.
It's hard to say where the truth really lies.

August 13, 1899

Alfred Hitchcock is born the son of a London poultry dealer and fruit importer. 

He became a highly influential director of suspense films in the 1940s and 1950s, known for sneaking his own cameo appearance into every film.

Hitchcock entered show business as a designer of title cards for silent films made by the newly formed London branch of Hollywood's Famous Players-Lasky (later, Paramount Pictures). He worked closely with screenwriters, who occasionally allowed him to direct a scene that didn't include actors. He became an assistant director and was promoted to director in 1925. He married film editor and script girl Alma Reville the following year and she helped him write a variety of screenplays.

Hitchcock continued to direct English suspense films, including The 39 Steps, The Man Who Knew Too Much, and The Lady Vanishes, but he moved to Hollywood in 1939 to take advantage of American filmmaking technology. His first American movie, Rebecca, won the 1940 Oscar for Best Picture and landed Hitchcock a Best Director nomination.

During the 1950s, he started to experiment creatively and produced some of the most popular films of his career, including Psycho, The Birds, Vertigo, and Rear Window. He became renowned for his psychologically complicated thrillers. In a Hitchcock movie, nothing on screen happened by accident: He carefully chose each camera angle and sound effect. He maintained strict creative control over his films.

Hitchcock also hosted two anthology mystery series, Alfred Hitchcock Presents, from 1955 to 1962, and The Alfred Hitchcock Hour, from 1962 to 1965. After his theme music, based on Gounod's "Funeral March of a Marionette," played, he would offer an eerie, "Good eeevening." Each episode appeared to end with evil triumphing over good, but after the final commercial Hitchcock would explain in his distinctive British accent how happenstance or a bizarre mistake had overpowered the villain.

Hitchcock won the Irving Thalberg Award from the Academy of Motion Picture Arts and Sciences in 1967 and the American Film Institute's Life Achievement Award in 1979. The following year, he was knighted, even though he had long since become a United States citizen. He died in 1980, but that wasn't the end of his career. A color revival of his show was introduced in 1985. Although the revival featured all new episodes, each was preceded by one of Hitchcock's introductions from earlier shows, processed into color.

To quote the Bicentennial Minute, "And that's the way it was".

Stay Tuned

Tony Figueroa

This Week in Television History: July 2017 PART III

As always, the further we go back in Hollywood history,
the more that fact and legend become intertwined.
It's hard to say where the truth really lies.

July 22, 1922

Daniel “Dan” Hale Rowan is born. 

He was featured in the television show Rowan & Martin's Laugh-In, where he played straight man to Dick Martin. Born on a carnival train near the small town of Beggs, Oklahoma, under the name of “Daniel Hale David”, Rowan toured with his parents, Oscar and Nellie David, who performed a singing and dancing act with the carnival. He was orphaned at age 11, spent four traumatic years at the McClelland Home in Pueblo, Colorado, then was taken in by a foster family at age 16 and enrolled in Central High School (Pueblo, Colorado). 

After graduating from high school, he hitchhiked to Los Angeles, California, in 1940 and found a job in the mailroom at Paramount Pictures; quickly ingratiating himself with studio head Buddy DeSylva, a year later he became Paramount's youngest staff writer.

July 22, 1947

Albert Brooks is born Albert Lawrence Einstein. 

Actor, writer, director son of Thelma Leeds (née Goodman), a singer and actress, and Harry Parke (né Einstein), a radio comedian who performed on Eddie Cantor's radio program and was known as Parkyarkarkus. His brothers are comedic actor Bob Einstein, better known by his stage name "Super Dave Osborne" and Cliff Einstein, a partner and longtime chief creative officer at the Los Angeles ad agency Dailey & Associates and his half-brother was Charles Einstein (1926-2007), a writer who wrote for such shows as Playhouse 90 and Lou Grant. Brooks started his own career in comedy by landing regular roles on variety shows in the late 1960s and gaining popularity on Saturday Night Live in the 1970s. Brooks' first film appearance was Taxi Driver (1976). He began screenwriting and directing in the 1980s, with films including Lost in America (1985), Defending Your Life (1991), The Muse (1999) and Looking for Comedy in the Muslim World (2005). 

To quote the Bicentennial Minute, "And that's the way it was".

Stay Tuned

Tony Figueroa