January 2, 1990
Alan Hale Jr., the Skipper on Gilligan's Island,
dies of cancer at age 68.
Hale was
born in Los
Angeles, California. His father was character actor Alan Hale, Sr. and his mother was Gretchen Hartman
(1897–1979), a silent film actress. His father (whom his son greatly
resembled), had an extremely successful career in movies both as a leading man
in silent films and as a supporting actor in sound movies, appearing in many Errol Flynn films, acting in 235 movies altogether, and playing Little John in Robin
Hood films three times over a
28-year span, beginning with the silent Douglas Fairbanks version. While his father was adapting to sound
films, Hale, Jr. began his career while still a baby.
During the Second World War,
Hale, Jr. enlisted in the United States
Coast Guard.
After the death of his father in 1950, Alan stopped using
"Junior".
Hale's first important roles were as a member of Gene Autry's recurring cast of players.
During the late 1940s and early 1950s, he frequently appeared in Autry movies
and The Gene Autry
Show on TV. He also starred in television series, such as
1952–53's Biff Baker U.S.A.. He guest starred in the NBC
western anthology Frontier.
He later appeared in the classic syndicated
western series Wanted Dead or
Alive opposite Steve McQueen in episode No. 5 as Shawnee
Bill, and played the titular lead in the television series Casey Jones
(32 black and white episodes of 25 minutes from 1957 to 1958). In 1961, he
appeared in Audie Murphy's
short-lived NBC western detective series, Whispering
Smith, as the witness to a murder. In 1962, Hale also appeared
on The Andy
Griffith Show as Jeff Pruitt, a rough, back-woods bachelor who comes to Mayberry to find a
bride. In the episode, he refers to Barney Fife more than once as "little
buddy," a nickname he would later use in his most famous and beloved role,
that of the Skipper on Gilligan's Island,
which ran from 1964 to 1967. He appeared in an episode of CBS's The New
Phil Silvers Show in the 1963–1964 season.
Hale's work was not confined to comedies. In 1958, he guest starred on NBC's
adventure series Northwest
Passage, co-starring Buddy Ebsen. In 1962, he guest starred in
an episode of ABC's
crime drama Target: The
Corruptors! with Stephen McNally. He starred with Bob Denver (Hale's Gilligan co-star)
in The
Good Guys (1968–70). He appeared in three episodes of ABC's Fantasy Island in the late 1970s and
early 1980s.
During his career, he was noted for his supporting character roles in such
movies as Up Periscope
with James Garner, The Fifth
Musketeer, The Lady Takes
a Flyer, stock car racing
film Thunder in
Carolina, The Giant
Spider Invasion, Hang 'Em High with Clint Eastwood, and The West
Point Story with James Cagney as well as The Gunfighter with Gregory Peck.
The Skipper on Gilligan's Island (1964–1967) proved to be the most
prominent role for Hale, as the show continued to be popular for later
generations of viewers due to syndicated re-runs. The popularity of the show typecast
its actors, making it difficult for them to successfully pursue diversified
acting opportunities. They received no substantial residual payments for their
roles, and the difficulty in finding roles often created financial hardship and
resentment. However, Hale often said he did not mind being so closely
identified with the Skipper. He co-owned a restaurant in the West Hollywood
area (Alan Hale's Lobster Barrel) and would often greet customers in his
"Skipper" hat.
During the weekends of 1974 to 1977, a new generation enjoyed the cartoon
version of The
New Adventures of Gilligan and by 1978, they brought back the
original crew for a TV movie named Rescue
From Gilligan's Island. Hale also portrayed the Skipper in two
more TV reunion movies in 1979 and 1981, and participated in numerous reunions
with the cast throughout the 1980s. His final appearances as the Skipper were
on a 1988 episode of the sitcom ALF, and for several 1989 clips
promoting Gilligan's Island reruns on TBS (TV network), both alongside his old
friend Bob Denver. He also made a cameo appearance
with Denver in the film Back to the Beach.
Hale was known for his great love of children. When he was dying of cancer, he learned there was a sick child in the same
hospital who loved the Gilligan's Island show. He went to see the boy
and said "The Skipper's here, son, everything is going to be all
right." The child, having noticed all the weight Hale had lost due to
cancer, inquired about it. Hale made up a story on the spot about how there was
a new version of the show in the works, and he was going to play Gilligan.
A resident of Hollywood,
California in the final years, Hale died of
thyroid cancer at St.
Vincent's Medical Center in Los Angeles January 2, 1990
(aged 68). He was cremated, and his
ashes were scattered at sea.
January 3, 1950
Victoria Principal is born.
Victoria Principal was born in Fukuoka, Japan, the eldest daughter of a United
States Air Force sergeant. Best known
for her role as Pamela
Barnes Ewing on the CBS nighttime drama
Dallas from 1978 to 1987.
In 1974, she was cast in the disaster film Earthquake. Although the role had been
narrowed down to three actresses, Principal won the role when she showed up for
the third audition having cut off her waist-length brown hair, dyed it black,
and put it into an afro. The producer was stunned and
impressed by Principal's risky transformation in order to look more closely
like the Italian character Rosa. Principal won the part in that moment. She
continued to act in lesser-known films such as I Will, I
Will... for Now and Vigilante Force with Kris Kristofferson.
She was given a three-picture deal with Brute Productions. However, Principal
decided to stop acting and became an agent, which was her profession from 1975
to late 1977.
In 1977, Aaron Spelling
offered her a role in the pilot of his television series Fantasy Island, which she accepted.
Soon after, in 1978, she landed her most famous role, playing Pamela Barnes
Ewing in the evening soap opera
television series Dallas.
In 1983, she earned a Golden Globe Nomination as Best Actress in a Television
Series for her role on Dallas.
After nine years, Principal left Dallas in 1987. She went on to star
in various made-for-television movies such as Mistress, Blind Witness,
Naked Lie, Sparks: The Price of Passion, and Don't Touch My
Daughter, a few of which she co-produced. In 1994, she appeared in an
episode of the hit sitcom Home
Improvement.
Principal returned to primetime soap operas in 2000, when she appeared in
another Aaron Spelling production, the short-lived NBC
television series Titans.
January 5, 1970
All My Children Preimered
All My Children (often shortened to AMC) is an
American television soap opera that aired on ABC for 41 years, from January
5, 1970, to September 23, 2011, and on The Online Network (TOLN) from April 29 to
September 2, 2013, via Hulu, Hulu Plus, and iTunes. Created
by Agnes
Nixon, All My Children is set in Pine Valley,
Pennsylvania, a fictional suburb of Philadelphia,
which is modeled on the actual Philadelphia suburb of Rosemont. The original series featured Susan
Lucci as Erica Kane, one of daytime television's most popular
characters. The title of the series refers to the bonds of humanity. All
My Children was the first new network daytime drama to debut in the
1970s. Originally owned by Creative Horizons, Inc., the company created by
Nixon and her husband, Bob, the show was sold to ABC in January 1975. The
series started at a half-hour in per-installment length, then was expanded to a
full hour on April 25, 1977. Earlier, the show had experimented with the
full-hour format for one week starting on June 30, 1975, after which Ryan's
Hope premiered.
January 6, 1975
ABC-TV debuted A.M.
America. AM America was a morning news program produced by ABC in an attempt to compete with the highly
rated Today on NBC.
The show never found an audience after its premiere
on January 6, 1975. Lasting just under ten months, its final installment
aired on October 31.
The program's concept was
based on Ralph Story's AM, the
local morning show on the network's owned-and-operated Los Angeles station KABC-TV. LikeToday, AM
America employed two hosts and a news anchor. ABC chose Bill Beutel,
who was co-anchor of Eyewitness News on the network's New York Cityflagship
station WABC-TV, and Stephanie
Edwards from Ralph
Story's AM to host the program. Peter Jennings,
who at the time was ABC's Washington correspondent, provided the news reports.
One notable episode of AM
America aired on April 25, 1975, when members of the British comedy
troupe Monty Python (with the exception of John Cleese,
who had temporarily left the group) made one of their earliest appearances on
American television.
Edwards quit the show by the
end of May, and Beutel followed her out a few months later. On November 3,
the Monday following its final broadcast, AM America was
replaced by Good Morning
America. Theme music written by
William Goldstein.
January
10, 1980
The
final episode of The Rockford Files aired on NBC.
Jim meets John Traynor while on a fishing trip in
Parma. When John takes ill Jim takes him to hospital where John gives Jim his
Proxy for the upcoming vote on the town’s Proposition 46D. Not knowing
what it is Jim registers the proxy with Mayor Sindell, the pharmacist. Jim is
then escorted out to see Henry Gersch at his mobile home. Gersch wants Jim to
vote “for” the proposition, so Jim agrees. Jim returns to his motel and is
visited by a mysterious figure who tells him to get out of town. This proves
difficult as the Firebird is stolen and later found at the Parma Mechanic’s who
believed Jim called and requested it fixed. Jim meets with Carrie Osgood, a
journalist, who saw Jim fishing and again at the pharmacy. Jim is taken to the
bus stop by the Sheriff, in an effort to have him leave town, but when the bus
stops at Santa Barbara, Jim is collected by Gersch’s goons and taken back to
Parma. Carrie recognises the mysterious figure as Stan Belding, a businessman
from Las Vegas. Jim and Carrie manage to read Proposition 46D, which is
identical to the previous legalisation which legalised gambling. Jim then finds
out that John Traynor discharged himself from hospital. Jim now realises that
John set him up, and figures out that John must be hiding out under canvas in
the hills. Using the local pizza boy as a distraction, Jim leaves his motel
room disguised as the pizza man to evade Gersch’s goons who are watching him.
Jim finds John in his tent – murdered, which cancels the proxy. Jim reports
this to the police, who find nothing, so arrest Jim for filing a false report –
without a body, the proxy is still valid. Jim is in a cell, while outside the
police hounds are barking at the trunk of the sheriff’s vehicle. Lee Melvin –
an official – grants Jim an amnesty so that he can vote. Jim works out where
Traynor’s body is, and goes to vote while Carrie calls the state police. They
enter just in time to arrest Sindell, the Sherriff, Belding and Gersch’s goons,
but Jim must lead the chase to catch Gersch himself, sitting in his mobile home
on the outskirts of town.
January 12, 1955
Rod Serling’s career began
with the TV production of Patterns.
Patterns was the first major
breakthrough of Rod
Serling when
the live television drama received critical acclaim as the January 12, 1955 installment of
the anthology series Kraft Television Theatre.
Directed
by Fielder
Cook, the
intense big-business drama starred Richard Kiley as up-and-coming
vice-president Fred Staples. Ruthless corporate boss Walter Ramsey (Everett Sloane) attempts to edge out aging
employee Andy Sloane (Ed
Begley) to
make room for newcomer Staples. Ramsey uses every opportunity to humiliate the
fragile Sloane, while Staples sees Sloane as a professional who makes valuable
contributions to the firm.[1]
Serling's
celebrated script tore apart the dynamics of the business world and earned
Serling his first of his six Emmys for dramatic writing.
There was a rave review from Jack Gould of The New York Times who suggested it be repeated:
Nothing
in months has excited the television industry as much as the Kraft
Television Theatre's production of Patterns, an original play
by Rod Serling. The enthusiasm is justified. In writing, acting and
direction, Patterns will stand as one of the high points in
the TV medium's evolution.Patterns is a play with one point of view
toward the fiercely competitive world of big business and is bound to be
compared with the current motion picture Executive Suite. By comparison, Executive
Suite might be Babes in Toyland without a score. For
sheer power of narrative, forcefulness of characterization and brilliant
climax, Mr. Serling's work is a creative triumph that can stand on its own. In
one of those inspired moments that make the theater the wonder that it
is, Patterns was an evening that belonged to the many, not
only to Mr. Serling. The performances of Everett Sloane, Ed Begley and Richard
Kiley were truly superb. The production and direction of Fielder Cook
constituted a fluid use of video's artistic tools that underscore how little
the TV artistic horizons really have been explored. Patterns was
seen from 9 to 10pm Wednesday over the National Broadcasting Company's network;
a repeat performance at an early date
should be mandatory.
Gould's request for a repeat
was an unusual suggestion, since in that pre-videotape era, live shows were not
repeated. Surprisingly, NBC took Gould's suggestion seriously and made plans
for another production.
January 12, 1965
The dance show
"Hullabaloo" premiered on NBC TV.
Directed
by Steve
Binder, who
went on to direct Elvis Presley's '68 Comeback Special, Hullabaloo served
as a big-budget, quality showcase for the leading pop acts of the day, and was
also competition for another like-minded television showcase, ABC's Shindig!. A different host presided
each week[1]—among these were Sammy Davis, Jr., Petula Clark, Paul Anka, Liza Minnelli, Jack Jones, and Frankie
Avalon—singing
a couple of his or her own hits and introducing the different acts.
Chart-topping acts who performed on the show included Dionne Warwick, The Lovin' Spoonful, The Rolling Stones, The
Yardbirds, Sonny & Cher, the Supremes, Herman's Hermits, The Animals, Roy Orbison and Marianne Faithfull. Many early episodes included black and white segments taped in the UK
and hosted by Brian
Epstein. Sid Bernstein was the
booking agent for Hullabaloo.Peter Matz, formerly of The Carol Burnett Show, was the orchestra leader. Peppiatt and Aylesworth were the writers.
Some of the programs in the
series were videotaped at NBC Studios in Burbank, California. Most were taped inNew York City either at NBC's Studio
8H (built for Arturo Toscanini and the NBC Symphony Orchestra and which would later house Saturday Night Live), or in NBC's color studio in the Midwood section of Brooklyn. Much of the series' color
videotaped footage was later transferred over to kinescope on film - as such
copied in black and white. Only three half-hour episodes are known to exist in
their original color videotaped form.
January 2, 1990
Alan Hale Jr., the Skipper on Gilligan's Island,
dies of cancer at age 68.
Hale was
born in Los
Angeles, California. His father was character actor Alan Hale, Sr. and his mother was Gretchen Hartman
(1897–1979), a silent film actress. His father (whom his son greatly
resembled), had an extremely successful career in movies both as a leading man
in silent films and as a supporting actor in sound movies, appearing in many Errol Flynn films, acting in 235 movies altogether, and playing Little John in Robin
Hood films three times over a
28-year span, beginning with the silent Douglas Fairbanks version. While his father was adapting to sound
films, Hale, Jr. began his career while still a baby.
During the Second World War,
Hale, Jr. enlisted in the United States
Coast Guard.
After the death of his father in 1950, Alan stopped using
"Junior".
Hale's first important roles were as a member of Gene Autry's recurring cast of players.
During the late 1940s and early 1950s, he frequently appeared in Autry movies
and The Gene Autry
Show on TV. He also starred in television series, such as
1952–53's Biff Baker U.S.A.. He guest starred in the NBC
western anthology Frontier.
He later appeared in the classic syndicated
western series Wanted Dead or
Alive opposite Steve McQueen in episode No. 5 as Shawnee
Bill, and played the titular lead in the television series Casey Jones
(32 black and white episodes of 25 minutes from 1957 to 1958). In 1961, he
appeared in Audie Murphy's
short-lived NBC western detective series, Whispering
Smith, as the witness to a murder. In 1962, Hale also appeared
on The Andy
Griffith Show as Jeff Pruitt, a rough, back-woods bachelor who comes to Mayberry to find a
bride. In the episode, he refers to Barney Fife more than once as "little
buddy," a nickname he would later use in his most famous and beloved role,
that of the Skipper on Gilligan's Island,
which ran from 1964 to 1967. He appeared in an episode of CBS's The New
Phil Silvers Show in the 1963–1964 season.
Hale's work was not confined to comedies. In 1958, he guest starred on NBC's
adventure series Northwest
Passage, co-starring Buddy Ebsen. In 1962, he guest starred in
an episode of ABC's
crime drama Target: The
Corruptors! with Stephen McNally. He starred with Bob Denver (Hale's Gilligan co-star)
in The
Good Guys (1968–70). He appeared in three episodes of ABC's Fantasy Island in the late 1970s and
early 1980s.
During his career, he was noted for his supporting character roles in such
movies as Up Periscope
with James Garner, The Fifth
Musketeer, The Lady Takes
a Flyer, stock car racing
film Thunder in
Carolina, The Giant
Spider Invasion, Hang 'Em High with Clint Eastwood, and The West
Point Story with James Cagney as well as The Gunfighter with Gregory Peck.
The Skipper on Gilligan's Island (1964–1967) proved to be the most
prominent role for Hale, as the show continued to be popular for later
generations of viewers due to syndicated re-runs. The popularity of the show typecast
its actors, making it difficult for them to successfully pursue diversified
acting opportunities. They received no substantial residual payments for their
roles, and the difficulty in finding roles often created financial hardship and
resentment. However, Hale often said he did not mind being so closely
identified with the Skipper. He co-owned a restaurant in the West Hollywood
area (Alan Hale's Lobster Barrel) and would often greet customers in his
"Skipper" hat.
During the weekends of 1974 to 1977, a new generation enjoyed the cartoon
version of The
New Adventures of Gilligan and by 1978, they brought back the
original crew for a TV movie named Rescue
From Gilligan's Island. Hale also portrayed the Skipper in two
more TV reunion movies in 1979 and 1981, and participated in numerous reunions
with the cast throughout the 1980s. His final appearances as the Skipper were
on a 1988 episode of the sitcom ALF, and for several 1989 clips
promoting Gilligan's Island reruns on TBS (TV network), both alongside his old
friend Bob Denver. He also made a cameo appearance
with Denver in the film Back to the Beach.
Hale was known for his great love of children. When he was dying of cancer, he learned there was a sick child in the same
hospital who loved the Gilligan's Island show. He went to see the boy
and said "The Skipper's here, son, everything is going to be all
right." The child, having noticed all the weight Hale had lost due to
cancer, inquired about it. Hale made up a story on the spot about how there was
a new version of the show in the works, and he was going to play Gilligan.
A resident of Hollywood,
California in the final years, Hale died of
thyroid cancer at St.
Vincent's Medical Center in Los Angeles January 2, 1990
(aged 68). He was cremated, and his
ashes were scattered at sea.
January 3, 1950
Victoria Principal is born.
Victoria Principal was born in Fukuoka, Japan, the eldest daughter of a United
States Air Force sergeant. Best known
for her role as Pamela
Barnes Ewing on the CBS nighttime drama
Dallas from 1978 to 1987.
In 1974, she was cast in the disaster film Earthquake. Although the role had been
narrowed down to three actresses, Principal won the role when she showed up for
the third audition having cut off her waist-length brown hair, dyed it black,
and put it into an afro. The producer was stunned and
impressed by Principal's risky transformation in order to look more closely
like the Italian character Rosa. Principal won the part in that moment. She
continued to act in lesser-known films such as I Will, I
Will... for Now and Vigilante Force with Kris Kristofferson.
She was given a three-picture deal with Brute Productions. However, Principal
decided to stop acting and became an agent, which was her profession from 1975
to late 1977.
In 1977, Aaron Spelling
offered her a role in the pilot of his television series Fantasy Island, which she accepted.
Soon after, in 1978, she landed her most famous role, playing Pamela Barnes
Ewing in the evening soap opera
television series Dallas.
In 1983, she earned a Golden Globe Nomination as Best Actress in a Television
Series for her role on Dallas.
After nine years, Principal left Dallas in 1987. She went on to star
in various made-for-television movies such as Mistress, Blind Witness,
Naked Lie, Sparks: The Price of Passion, and Don't Touch My
Daughter, a few of which she co-produced. In 1994, she appeared in an
episode of the hit sitcom Home
Improvement.
Principal returned to primetime soap operas in 2000, when she appeared in
another Aaron Spelling production, the short-lived NBC
television series Titans.
January 5, 1970
All My Children Preimered
All My Children (often shortened to AMC) is an
American television soap opera that aired on ABC for 41 years, from January
5, 1970, to September 23, 2011, and on The Online Network (TOLN) from April 29 to
September 2, 2013, via Hulu, Hulu Plus, and iTunes. Created
by Agnes
Nixon, All My Children is set in Pine Valley,
Pennsylvania, a fictional suburb of Philadelphia,
which is modeled on the actual Philadelphia suburb of Rosemont. The original series featured Susan
Lucci as Erica Kane, one of daytime television's most popular
characters. The title of the series refers to the bonds of humanity. All
My Children was the first new network daytime drama to debut in the
1970s. Originally owned by Creative Horizons, Inc., the company created by
Nixon and her husband, Bob, the show was sold to ABC in January 1975. The
series started at a half-hour in per-installment length, then was expanded to a
full hour on April 25, 1977. Earlier, the show had experimented with the
full-hour format for one week starting on June 30, 1975, after which Ryan's
Hope premiered.
January 6, 1975
ABC-TV debuted A.M.
America. AM America was a morning news program produced by ABC in an attempt to compete with the highly
rated Today on NBC.
The show never found an audience after its premiere
on January 6, 1975. Lasting just under ten months, its final installment
aired on October 31.
The program's concept was
based on Ralph Story's AM, the
local morning show on the network's owned-and-operated Los Angeles station KABC-TV. LikeToday, AM
America employed two hosts and a news anchor. ABC chose Bill Beutel,
who was co-anchor of Eyewitness News on the network's New York Cityflagship
station WABC-TV, and Stephanie
Edwards from Ralph
Story's AM to host the program. Peter Jennings,
who at the time was ABC's Washington correspondent, provided the news reports.
One notable episode of AM
America aired on April 25, 1975, when members of the British comedy
troupe Monty Python (with the exception of John Cleese,
who had temporarily left the group) made one of their earliest appearances on
American television.
Edwards quit the show by the
end of May, and Beutel followed her out a few months later. On November 3,
the Monday following its final broadcast, AM America was
replaced by Good Morning
America. Theme music written by
William Goldstein.
January
10, 1980
The
final episode of The Rockford Files aired on NBC.
Jim meets John Traynor while on a fishing trip in Parma. When John takes ill Jim takes him to hospital where John gives Jim his Proxy for the upcoming vote on the town’s Proposition 46D. Not knowing what it is Jim registers the proxy with Mayor Sindell, the pharmacist. Jim is then escorted out to see Henry Gersch at his mobile home. Gersch wants Jim to vote “for” the proposition, so Jim agrees. Jim returns to his motel and is visited by a mysterious figure who tells him to get out of town. This proves difficult as the Firebird is stolen and later found at the Parma Mechanic’s who believed Jim called and requested it fixed. Jim meets with Carrie Osgood, a journalist, who saw Jim fishing and again at the pharmacy. Jim is taken to the bus stop by the Sheriff, in an effort to have him leave town, but when the bus stops at Santa Barbara, Jim is collected by Gersch’s goons and taken back to Parma. Carrie recognises the mysterious figure as Stan Belding, a businessman from Las Vegas. Jim and Carrie manage to read Proposition 46D, which is identical to the previous legalisation which legalised gambling. Jim then finds out that John Traynor discharged himself from hospital. Jim now realises that John set him up, and figures out that John must be hiding out under canvas in the hills. Using the local pizza boy as a distraction, Jim leaves his motel room disguised as the pizza man to evade Gersch’s goons who are watching him. Jim finds John in his tent – murdered, which cancels the proxy. Jim reports this to the police, who find nothing, so arrest Jim for filing a false report – without a body, the proxy is still valid. Jim is in a cell, while outside the police hounds are barking at the trunk of the sheriff’s vehicle. Lee Melvin – an official – grants Jim an amnesty so that he can vote. Jim works out where Traynor’s body is, and goes to vote while Carrie calls the state police. They enter just in time to arrest Sindell, the Sherriff, Belding and Gersch’s goons, but Jim must lead the chase to catch Gersch himself, sitting in his mobile home on the outskirts of town.
Jim meets John Traynor while on a fishing trip in Parma. When John takes ill Jim takes him to hospital where John gives Jim his Proxy for the upcoming vote on the town’s Proposition 46D. Not knowing what it is Jim registers the proxy with Mayor Sindell, the pharmacist. Jim is then escorted out to see Henry Gersch at his mobile home. Gersch wants Jim to vote “for” the proposition, so Jim agrees. Jim returns to his motel and is visited by a mysterious figure who tells him to get out of town. This proves difficult as the Firebird is stolen and later found at the Parma Mechanic’s who believed Jim called and requested it fixed. Jim meets with Carrie Osgood, a journalist, who saw Jim fishing and again at the pharmacy. Jim is taken to the bus stop by the Sheriff, in an effort to have him leave town, but when the bus stops at Santa Barbara, Jim is collected by Gersch’s goons and taken back to Parma. Carrie recognises the mysterious figure as Stan Belding, a businessman from Las Vegas. Jim and Carrie manage to read Proposition 46D, which is identical to the previous legalisation which legalised gambling. Jim then finds out that John Traynor discharged himself from hospital. Jim now realises that John set him up, and figures out that John must be hiding out under canvas in the hills. Using the local pizza boy as a distraction, Jim leaves his motel room disguised as the pizza man to evade Gersch’s goons who are watching him. Jim finds John in his tent – murdered, which cancels the proxy. Jim reports this to the police, who find nothing, so arrest Jim for filing a false report – without a body, the proxy is still valid. Jim is in a cell, while outside the police hounds are barking at the trunk of the sheriff’s vehicle. Lee Melvin – an official – grants Jim an amnesty so that he can vote. Jim works out where Traynor’s body is, and goes to vote while Carrie calls the state police. They enter just in time to arrest Sindell, the Sherriff, Belding and Gersch’s goons, but Jim must lead the chase to catch Gersch himself, sitting in his mobile home on the outskirts of town.
January 12, 1955
Rod Serling’s career began
with the TV production of Patterns.
Patterns was the first major
breakthrough of Rod
Serling when
the live television drama received critical acclaim as the January 12, 1955 installment of
the anthology series Kraft Television Theatre.
Directed
by Fielder
Cook, the
intense big-business drama starred Richard Kiley as up-and-coming
vice-president Fred Staples. Ruthless corporate boss Walter Ramsey (Everett Sloane) attempts to edge out aging
employee Andy Sloane (Ed
Begley) to
make room for newcomer Staples. Ramsey uses every opportunity to humiliate the
fragile Sloane, while Staples sees Sloane as a professional who makes valuable
contributions to the firm.[1]
Serling's
celebrated script tore apart the dynamics of the business world and earned
Serling his first of his six Emmys for dramatic writing.
There was a rave review from Jack Gould of The New York Times who suggested it be repeated:
Nothing
in months has excited the television industry as much as the Kraft
Television Theatre's production of Patterns, an original play
by Rod Serling. The enthusiasm is justified. In writing, acting and
direction, Patterns will stand as one of the high points in
the TV medium's evolution.Patterns is a play with one point of view
toward the fiercely competitive world of big business and is bound to be
compared with the current motion picture Executive Suite. By comparison, Executive
Suite might be Babes in Toyland without a score. For
sheer power of narrative, forcefulness of characterization and brilliant
climax, Mr. Serling's work is a creative triumph that can stand on its own. In
one of those inspired moments that make the theater the wonder that it
is, Patterns was an evening that belonged to the many, not
only to Mr. Serling. The performances of Everett Sloane, Ed Begley and Richard
Kiley were truly superb. The production and direction of Fielder Cook
constituted a fluid use of video's artistic tools that underscore how little
the TV artistic horizons really have been explored. Patterns was
seen from 9 to 10pm Wednesday over the National Broadcasting Company's network;
a repeat performance at an early date
should be mandatory.
Gould's request for a repeat
was an unusual suggestion, since in that pre-videotape era, live shows were not
repeated. Surprisingly, NBC took Gould's suggestion seriously and made plans
for another production.
January 12, 1965
The dance show
"Hullabaloo" premiered on NBC TV.
Directed
by Steve
Binder, who
went on to direct Elvis Presley's '68 Comeback Special, Hullabaloo served
as a big-budget, quality showcase for the leading pop acts of the day, and was
also competition for another like-minded television showcase, ABC's Shindig!. A different host presided
each week[1]—among these were Sammy Davis, Jr., Petula Clark, Paul Anka, Liza Minnelli, Jack Jones, and Frankie
Avalon—singing
a couple of his or her own hits and introducing the different acts.
Chart-topping acts who performed on the show included Dionne Warwick, The Lovin' Spoonful, The Rolling Stones, The
Yardbirds, Sonny & Cher, the Supremes, Herman's Hermits, The Animals, Roy Orbison and Marianne Faithfull. Many early episodes included black and white segments taped in the UK
and hosted by Brian
Epstein. Sid Bernstein was the
booking agent for Hullabaloo.Peter Matz, formerly of The Carol Burnett Show, was the orchestra leader. Peppiatt and Aylesworth were the writers.
Some of the programs in the
series were videotaped at NBC Studios in Burbank, California. Most were taped inNew York City either at NBC's Studio
8H (built for Arturo Toscanini and the NBC Symphony Orchestra and which would later house Saturday Night Live), or in NBC's color studio in the Midwood section of Brooklyn. Much of the series' color
videotaped footage was later transferred over to kinescope on film - as such
copied in black and white. Only three half-hour episodes are known to exist in
their original color videotaped form.
To quote the Bicentennial Minute, "And that's the way it was".
To quote the Bicentennial Minute, "And that's the way it was".
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